Tags archives: Art For Progress

  • Based on the novel by Bonnie Nadzam, Lamb is an unsettling drama about the relationship between an unmoored middle-aged man and a precocious young girl. The movie, starring and directed by Ross Partridge, consists mainly of a road trip, fraught with the self-centered needs of its protagonist and set against the beautiful backdrop of the duo’s natural surroundings (Wyoming and Colorado). When we first meet David Lamb (Partridge), he’s denying the fact that his wife has left him to his ailing, alcoholic father, who knows better; David also lies about his wife’s desertion to co-worker Linny (Jess Weixler), with whom he is having an affair. Despite his good looks and laid-back outward demeanor, David is obviously a guy with issues. Some time later, he is smoking in a parking lot after his father’s funeral, when 11-year-old Tommie (a terrific Oona Laurence) saunters up and asks for a cigarette, a dare set up by her friends. David’s reaction – he not only gives her one, but lights it – is the just the first of many disturbing moments in this film and in their relationship. He pretends to kidnap Tommie to scare her friends, but actually drives her home, and lectures her about approaching him: “I’m not a bad guy, but I could have been.” (He introduces himself as “Gary,” one of many lies he tells to various people he knows or encounters.) This sets the tone for the rest of the film, showing both David’s concern for Tommie and his disconcertingly inappropriate behavior[...]
  • If each new calendar year brought forth a new style trend that mirrored the Spice Girls, 2016 would be known as the Year of Sporty Spice. Right now, athleisure is as popular and ubiquitous as Park Slope or Santa Monica moms pushing UppaBaby strollers—and with booming sales, chic, dressed-up exercise clothing are finally more affordable too. "Stores like H&M, Forever 21, and Aritzia, are offering up a selection of goods that aren't just cute but, mostly at under $50, won't break your bank, either," writes Ray Lowe of Refinery 29. Here are three simple facts you need to know about this fabulously casual fashion trend.  Activewear Is Not Going Anywhere Don't count on this bubble bursting in 2016! In October 2015, Morgan Stanley ventured to estimate that activewear will reach up to $83 billion in sales by 2020. Athleisure sales stretched out to $36 million in 2013. In 2014, activewear accounted for 16 percent of the total apparel market, according to research firm NPD Group. And in 2014, Nike expected to add $2 billion dollars to sales by 2017. Photo Credit: Nike Clearly, activewear is going for the win. High-end names like Sweaty Betty, Outdoor Voices, Vimmia, and Aday, are now competing with fast-fashion staples like H&M for shoppers' hearts. And over the years, luxury companies like Tory Burch, Trina Turk, Stella McCartney, and Mara Hoffman have rushed to jump into the current craze. Below: Image from January 2016 limited-edition, 21-piece[...]
  • As the year winds down and we’re suffused with holiday cheer (and perhaps making donations to our favorite causes), it’s a good time for film fans to take a look at some movies that need help getting made, ones we might not necessarily hear about otherwise. For many a low-budget indie filmmaker, Kickstarter, Indiegogo and other crowdfunding sites have become the way to get it done – or at least try to get it done. (Actually, some not-so-low budget films, including Zack Braff’s Wish I Was Here and Spike Lee’s Da Sweet Blood of Jesus, were both made with money – $3.1 million and $1.4 million, respectively – raised via Kickstarter, but those are exceptions.) Offering potential backers several donation tiers that pay back perks ranging from a thank-you postcard and link to the finished product to set visits and a night out with the cast and crew, these campaigns are not only a way for films to get made, but for fans to become a part of something cool and exciting. There are many worthwhile films seeking funds on a variety of crowdsourcing platforms (over 600 film and video projects on Kickstarter alone). Here is just a sampling of interesting-looking projects on Kickstarter and Indiegogo, several of them based right here in New York City, with campaigns that are currently open. The list includes both documentary and narrative films in various stages of production, from pre- to post. They range from fairly sophisticated endeavors with principals who have significant industry[...]
  • Véronique Hyland of New York Magazine reported on Council of Fashion Designers of America's (CFDA) efforts to "revolutionize Fashion Week."  Vivien Killilea/Getty Images for NYFW A major possible change to the twice-yearly showcase includes transforming Fashion Week into a consumer-driven event, instead of an industry one. And the redesigned series would "show in-season merchandise to the public." This is a huge move because designers typically showcase collections for following seasons, amid rabid fanfare and exclusive pageantry. And, in turn, these fashion showcases would influence fast-fashion looks, clandestinely sold at stores like H&M and Zara, that surface sometime later in the future. Frazer Harrison/Getty Images for Mercedes-Benz Fashion Week However, this method is thought to be a great way to spur "buy now, wear now" opportunities for the public. The re-formmated showcases would require designers to host "smaller showroom presentations and appointments with retailers and press," presenting designs six months out for possible purchasing purposes. Then, designers would produce large-scale runway shows for a consumer audience, WWD reports. CFDA Chairman Diane von Furstenberg tells WWD “ I have a feeling people will be showing what’s available closer to what’s in store. I don’t have all the answers." However, the general goal is to boost "full-price selling" of clothing. This week, designer Rebecca Minkoff announced a big step—a Spring 2016 col[...]
  • "Our doubt is our passion, and our passion is our task." Henry James' words are apt in describing the art-making process, and how it can explore uncertainness through introspection. In the process, the artist and viewer enter into an intangible, unpractical, and highly emotional place that is ultimately the most passionate because it allows them to explore the more ambiguous realms of the self. This is exactly the intent and effect of "I DREAMT," New York performance artist Nicholas' Gorham's recent production. In it, he lip syncs sound bites by Delia Derbyshire, a leading British electronic musician from the 1960s. He was utterly fascinated by their evocative beauty, and knew he would eventually incorporate them into a performance. The sound recordings are different voices describing a nightmare of being chased, and Nicholas switches from one character to another in a matter of seconds. This is achieved by having light projections of different outfits cast onto his body, which is the sole illuminated presence in a darkened room. Coupled with the haunting repetition of phrases, such as "I'm running away...running, and running, and running" in each of the different voices, the result is dark, painful, but incredibly engrossing especially if you have ever had nightmares. He plans to take this the exploration of the subconscious further in his upcoming Christmas theater production, also focusing on time, space, identity, and superficiality but with a stronger social co[...]
  • “If it doesn’t inspire you in some way, I failed as a filmmaker,” says Richard “R.G.” Miller, the subject of Justin Johnson’s new documentary Double Digits: The Story of a Neighborhood Movie Star. Of course the same can be said of Johnson’s homage to Miller, a prolific, super low-budget auteur who makes movies for the sheer love of it. Against many odds, Miller has succeeded in not only pursuing his passion, but getting many other people enthused and involved in the process. Double Digits celebrates the fact that while some may may aim for mega fame and fortune, those with extremely modest means and realistic ambitions should not be discounted as artists, and in fact, may be truer to their art. We’re introduced to 52-year-old Miller at his Wichita, Kansas apartment  -- which doubles as his studio -- and learn that his one-man production company RG Internet Art Films has released several half-hour to hour-long features on Miller’s Youtube channel. "Thank God for the Internet,” he chuckles, not attempting to create a viral sensation with his compelling, delightfully lo-fi movies. “If I get double digits [more than nine "likes"], I’m successful.” Double Digits, which was shot over the course of three years, shows the making of Miller's newest effort, The Mask Man, shot in his apartment and on his side lot, as are all of his films. His painstaking DIY efforts include miniature stand-ins (dolls), homemade costumes and masks, and various household items that have been[...]
  • Just announced on December 2: The British Fashion Council has chosen its eight emerging designers for its biannual Newgen initiative, sponsored by Topshop.  The designers will present their 2016 looks during London Fashion Week this February.   Image Credit: British Fashion Council The Newgen initiative has been bolstering designers-to-watch since 1993. Former winners include current design legends Alexander McQueen, Christopher Kane, and Marta Marques.  The selected designers are Ashley Williams, Claire Barrow, Danielle Romeril, Faustine Steinmetz, Marta Jakubowski, Molly Goddard, Ryan Lo and Sadie Williams. And designer Rebecca Einer, a recent Westminster fashion graduate, has been given the special distinction of "One-To-Watch." Images of Danielle Romeril, Ashley, Williams, Marta Jakubowski As ElleUK.com reports, this opportunity will "help rocket these young designers into the international spotlight," helping them to build strong connections within the industry. Ryan Lo and Ashley Williams will unveil collections on the runway at London Fashion Week, while the remaining honorees will showcase their designs in static installations, according to ElleUK.com. "Supporting emerging talent is at the very heart of the Topshop brand and we are incredibly proud sponsors of the Newgen initiative," says Topshop managing director Mary Homer to Vogue UK. "Seeing the prestigious alumni that the scheme has nurtured, as well as the promising names that are currentl[...]
  • The turkey has been eaten, the in-laws have left, the traffic has settled and the flurry of the Thanksgiving has finally subsided. We were meant, during the holiday, to reflect and give thanks for all that we have in our lives, but those sentiments sometimes get lost in the craze surrounding Black Friday/Small Business Saturday/Cyber Monday. We forget the “giving” part of Thanksgiving. To counteract this, “Giving Tuesday” was launched by organizations like 92nd Street Y, the United Nations Foundation, the website Mashable and the brand (RED). The day is meant to remind us to pause our consuming (figuratively. you can keep working on those leftovers if you want) and give back this holiday season. Here are five charitable organizations, both for the music and by the music, that you could give to this Tuesday: Dear Jack Foundation The Dear Jack Foundation (DJF) was founded by Andrew McMahon of Andrew McMahon in the Wilderness. While on tour with his first band, Something Corporate, McMahon was diagnosed with Acute Lymphocytic Leukemia (ALL). After undergoing treatment, he resolved to ‘initiate change and provide a voice for the generations of young adults who have been diagnosed with cancer.” With the specific aim of helping adolescents and young adults (AYA), DJF aims to support organizations, ‘which recognize the unique challenges the AYA community faces, during and post-treatment.” The programs that have benefited from DJF include the UCLA stem cell transplant progr[...]
  • “This is a love story, a mystery, a crime drama, a wake-up call and a farce,” begins Jon J. Whelan’s voiceover in his new documentary Stink! Though a fairly modest enterprise, the film does manage to incorporate all those elements into a cohesive package. Stink! is essentially an eye-opening exposé of the unregulated or under-regulated use of chemicals in cosmetics, household products and clothing in the U.S. Whelan, whose own personal tragedy led him to pursue the subject, figures prominently in the film; he's reminiscent of a low-key Morgan Spurlock or a more affable Michael Moore. Stink!– and Whelan’s quest – starts when the widowed filmmaker orders pajamas for his young daughters from the popular tween-tailer Justice. His attempts to find out what makes the PJ’s smell bad are met with uncooperative ignorance on the part of the company, from customer service reps to its CEO; basically, chemicals used in the clothing cannot be divulged as it is “proprietary information.” That phrase soon becomes a loathsome mantra on the part of manufacturers and those representing the chemicals industry as a legal excuse to protect themselves. Whelan decides to send the offensive PJ’s to a lab for analysis… Meanwhile, the movie gives us some pertinent history: A 2009 government report warned that environmental toxins are seriously underestimated. Flashback to President Nixon’s National Cancer Act of 1971 and the ensuing 1976 Toxic Substances Control Act, which was supposed to regulate ne[...]
  • Hot Sugar’s Cold World, Adam Bhala Lough’s engaging new documentary, begins with the title musician/producer recording the sound of Pop Rocks candy dissolving in a young woman’s mouth. It’s as good an introduction to the iconoclastic Hot Sugar (Nick Koenig) as any: this New York-based musical alchemist creates highly atmospheric compositions out of myriad everyday sounds. His moody, multi-layered electronic music has become the main soundtrack for Comedy Central’s Broad City and has graced tracks by rappers Antwon and Heems, in addition to many other Koenig collaborators. (One of his first high-profile production credits was for the song “Sleep” from The Roots’ 2011 concept album undun.) The movie invites us to watch -- and ultimately marvel at -- Koenig's unorthodox, intensely personal process. Something of a wunderkind, Koenig found his MO years ago as a young hip hop fan, when he realized that “everyone winds up using the same sounds,” so he decided to make his own. Hot Sugar's Cold World  follows Koenig over several months as he creates his music in a variety of environments and cities; collaborates and hangs out with assorted luminaries including Jim Jarmusch, actor Martin Starr and Heems (Himanshu Kumar Suri); queries astrophysicist Neil deGrasse Tyson about the nature of sound; and talks about his process and his life. At one point in the film, he breaks up with his girlfriend, Internet-famous rapper Kitty, seemingly due to conflicting touring schedules and the [...]
  • I once read that people who see faces in inanimate, non-portrait objects, are neurotic, and the article did not mean that endearingly. If that's true, then children who make animal and human shapes out of clouds (so many) are neurotic. And truthfully, most artists are too. So with that, I will use this post to talk about an artists who plays with this idea in a rather beautiful way, and to tip my hat to those individuals who choose to and are able to view the world in a more fascinating way. Jane Lafarge Hamill's paintings combine traditional portraiture with modern abstraction. Her works first appear as a slather of saturated, vibrant colors, enhanced by her thick application of paint. However, though appearing haphazard, the way she has manipulated the paint allows for a vague, albeit familiar, image of a human's face to come through. Depending on how she has arranged the lines sometimes the face is in profile, sometimes face front. What really allows for the portraits to be visualized is not in the revelation of facial features, as they are pretty blurry, but in the way the lines make up the shape of the head - the forehead, jawline, and neck specifically. While this alone makes her painting style unique, what makes her work beautiful is her use of color. Her pieces are not exceptionally large, rather they are on the smaller side, yet they instantly pop out due to the layers of applied color and the vibrancy of the palette. What is especially contemporary [...]
  • NYC Arts Non Profit Heads West in Support of Local Arts Programs Convergence: Saturday, November 14th, Studio Maesto, Santa Monica, CA. On Saturday, November 14th New York City based non-profit Art for Progress (AFP) will host a fundraiser in support of Studio Maesto’s Arts Collective Program in Santa Monica, California.  The event will take place at Studio Maesto’s dance and photography studio at 1547 6th Street, Santa Monica, and will feature visual art from three Los Angeles based artists who have exhibited with AFP in the past- Sona Mirzaei, Lichiban and Pablo Damas. The night will also showcase live performances from Barry Komitor (NYC based band Bad Faces), DJ sets from NYC’s Gatto, LA based DJ/Producer Elliot DeHoyos and a myriad of local performance artists. Net proceeds from ticket sales and a percentage of art sales will go to support the studios arts collective program (details below). Tickets ($15) will be available at the door. Tickets include a drink and light fare. Additional beverages will be available for purchase. Studio Maesto, 1547 6th Street, Santa Monica, CA - Hours: 7:30pm – 11:00pm Over the last 12 years, Art for Progress has produced over 50 major events in NYC, Miami, San Francisco and Washington DC. With a focus on multimedia productions, AFP has garnered valuable press coverage for artists in world renowned publications such as The New York Times, Women’s Wear Daily and The Village Voice.  While supporting and promoting artists through these[...]