Tags archives: Art For Progress
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8 years ago
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Winner of Best Narrative Feature at the Queens World Film Festival last month, H.O.M.E. is a poignant, beautifully shot film about the importance of human connection. Its director and co-writer, Daniel Maldonado, a lifelong New Yorker, shows us aspects of the city we don’t always see via two interconnected stories: One features Jeremy Ray Valdez as Danny, a young runaway with Asperger’s Syndrome who is living in the subways. The other thread concerns a struggling Ecuadorian cab driver, Gabriel (acclaimed Mexican actor Jesús Ochoa), who helps a distraught Chinese mother (Angela Lin) get home to Chinatown.
Maldonado’s first feature, H.O.M.E. has both a dreamlike, impressionistic quality and realistic characters and scenes, a testament to his unique artistic vision and desire to create something human and relatable. The New York subway system is also a major character in the film; through Danny’s eyes, it is a repository of complex beauty and sometimes overwhelming stimuli.
The film will be screened at 10:45 pm on Friday, April 15, at Cinema Village, as part of the Manhattan Film Festival. Last week I spoke with Maldonado about the making and the meaning of H.O.M.E.:
You studied film at the School of Visual Arts?
I kind of went about it in a roundabout way; instead of trying to get into a 4-year program, I went to night school, because I was pretty much supporting myself. After two years of night classes, I completely fell in love, so I switched into the degree pro[...]
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8 years ago
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No April Fools joking in this report. Beyoncé's 200-piece activewear line will hit specific stores U.S. Topshop, Net-a-Porter, and Nordstrom on April 14. She announced the release date to her 65 million Instagram followers on March 31.
Ivy Park will offer comfortable workout gear, ranging from leggings, to crop-tops, to jackets.
According to a statement by the Pop icon herself: Ivy Park "purposefully goes against the celeb collaboration phenomenon. "
She also says that her line is intended to "push the boundaries of athletic wear, and to support and inspire women who understand that beauty is more than your physical appearance."
The inspiration behind the athletic line came to the superstar after realizing how much she tends to wear athleisure. "When I'm working and rehearsing, I live in my workout clothes," she says, adding "but I didn't feel there was an athletic brand that spoke to me."
As we've said before, athleisure is not disappearing anytime soon. And Beyoncé's line has even sparked a Twitter war with activewear giant Lululemon.
Tweet from Lululemon, courtesy of Jezebel:
The tweet was since removed, however the brand will have a tough time living that gaffe down. In the meantime, here's is a clip introducing the line to the world.
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8 years ago
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The eponymous heroine of Xavier Giannoli’s film Marguerite is a tough sell on paper: a wealthy French socialite who fancies herself a great operatic singer, but who is in fact utterly tone-deaf. Yet, as played (with great sensitivity) by Catherine Frot in this French tragicomedy set in the early 1920s, Marguerite Dumont — at least when she’s not singing — is a warm, sympathetic presence with a true appreciation for music. We’re appalled by the sounds that come out of her mouth, but we can’t help but feel for this woman whose vulnerability and unhappiness is palpable.
The character is based on American socialite Florence Foster Jenkins, who has already inspired several plays as well as a forthcoming Hollywood film starring Meryl Streep. Where Jenkins was merely bad, Mme. Dumont is truly awful; her wild screeching performances are some of the most stunning (literally) moments in the film. This could have been fodder for an out-and-out farce, but though Giannoli’s unconventional movie has many humorous moments, it is also dark, poignant, and visually sumptuous.
The film begins with various people arriving at a benefit recital given in Marguerite’s opulent home. There’s young soprano Hazel (Christa Théret), arch young music critic Lucien (Sylvain Dieuaide) and his friend Kyril, an avant-garde artist (Aubrey Fenoy); we’re also introduced to Marguerite’s husband Georges (André Marcon), who pretends that his car broke down so he can avoid the concert. Several opening acts [...]
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8 years ago
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Kiev, Ukraine–based knitwear designer Anna Marinenko of Ohhio crafts the most massive and burly 100 percent Merino wool blankets, scarves, and more, that look ridiculously lush and comfortable, available on Etsy.
Photo Credit: Ohhio
And what's extraordinary about these oversized items is that Marinenko weaves them with her bare hands instead of using knitting needles, thereby creating a warm collection of comfort that features a hefty 3-inch-thick stitch.
Photo Credit: Ohhio
Image of Anna Marinenko with another designer, a photographer, a model, and a stylist
Photo Credit: Ohhio
According to Slate.com, Marinenko also sells colossal and peculiar-looking wooden knitting needles, along with huge spheres of super-thick yarn for consumers who wish "to make the chunky knits themselves."
However, as Ohhio's motto goes "we knit emotions," pointing to the brand's passion for creating "comfort, beauty and style using simple elements and honest materials." As stated on their Facebook page, "we believe, Ohhio blankets all designed to please the eye, the hand and the heart," later adding "all we knit is love."
A Model wearing chunky knits, holding humongous knitting needles, standing amid oversized balls of yarn
Photo Credit: Ohhio
A cozy cat bed Photo Credit: Ohhio
Image of large knitting needles Ohhio sells
Photo Credit: Ohhio
And her decadent designs are attracting high-profile RTW designers like Christian Siriano, who just featured Ohhio knits in his recen[...]
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8 years ago
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Documentaries have traditionally fallen into two categories: straightforward accounts that tell their story using photo/video/audio snippets plus interviews (think Ken Burns), and those that use re-enactments and other creative devices. Recently, there have been some very innovative examples of the latter category (Kurt Cobain: Montage of Heck, the narrative/doc hybrid A Woman Like Me). Now we have Andrew Shapter’s The Teller and the Truth, a haunting and evocative film about the 1974 disappearance of Francis Wetherbee, a young Texas bank teller whose car was found submerged in a nearby river, but whose body was never found. Though it looks and feels like a real-life chronicle, The Teller and the Truth is something else entirely.
The film starts off like a typical documentary, becomes a sort of true-crime whodunit, and ultimately ends up a highly romantic speculation on what might have happened to the lovely Wetherbee. It’s as intriguing for its unorthodox handling of truth-versus-fantasy as it is for its subject matter.
Apparently Shapter first came upon the long-forgotten story of Wetherbee several years ago when he saw a striking black and white print of a sad-eyed young woman taken by his photographer uncle and mentor. The photo had been shot a week after its subject was briefly taken hostage by a masked bank robber -- she was unhurt but reportedly traumatized -- and two weeks before she mysteriously disappeared. Shapter, who had previously made the documentarie[...]
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8 years ago
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There was once a professor who consistently lamented people not spending time with a work of art. She felt that consuming art became speedy, mediums were not fully appreciated in their details, and therefore a lot of great artwork may never get proper recognition. It's safe to say this is true for many people, and even those like myself who studied art have definitely overlooked pieces due to the extreme saturation of available art to see, especially in a metropolis like New York City (though it is something I greatly try to avoid while in a space.)
I was stuck in front of Scott Williams' painting 50th Street Maspeth this past weekend, due to the intimate space at Art101 being packed with people, but I'm glad I was. His work first appears like an impressionistic modern landscape - a view of the street, cars parked, sunny day, fence to the side - but the more I stared at it the more odd I found it. I noticed his use of perspective is based on traditional one-point perspective yet it is shifted off to the side thereby disrupting the everyday banality of this type of setting. Furthermore, his use of oil paint appears both deliberate, in regards to shadowing and color, and accidental in regards to the application of paint itself. This imbues the scene with a sense of randomness and further complicates it. He writes of his "chance" paintings - "For on site, 'plein air painting', a map of Queens and Brooklyn was marked with gridded coordinates. Throwing numbered and lettered coi[...]
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8 years ago
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On February 14, celebrated fashion designer Tracy Reese's intimate Fall 2016 collection paid respects to her hometown of Detroit, while tipping its hat to new innovations in runway presentations. And as part of all the newness, a nine-minute film called Detroit Love Story, helped to round out the loving tribute to her beloved city.
Design elements in Reese's Fall/Winter Ready-To-Wear includes bold patterns like florals, plaid and herringbone, and retro-inspired polka dots, calf-length coats and garter socks.
Find out more about Reese's fashionable hometown love affair after the jump!
Photo Credit: New York Magazine
The mini-movie was followed by a relaxed piano-accompanied showcase of Reese's latest designs. The untraditional presentation points to a "runway fatigue" that's now taking hold in the design world. Take designers like Vetements, Michael Kors and Rebecca Minkoff, for instance, who are eschewing the customary fashion schedule for see now, buy now looks. Designers like Reese are interested in changing the way new designs are showcased.
"Doing the same thing season after season doesn't seem relevant," Reese tells Vogue. "This felt like the right moment to do something different."
Below: Images from February 14 Tracy Reese showcase
Photo by Robert Mitra/WWD
But what's also noteworthy about this creatively nostalgic showcase is its tribute to a city that typically gets a bad rap. In one sweeping moment, Reese helped us to see "the motor city" throug[...]
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8 years ago
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Danish director Tobias Lindholm’s masterful new film, A War, is an exceptionally intelligent and sensitive depiction of the War in Afghanistan, both the complicated moral issues faced by occupying troops and the toll on their families back home. That’s not to say that this Oscar nominee for Best Foreign Language Film isn’t gripping or that its action sequences lack punch – one battle sequence is particularly pulse-pounding and stomach-churning. Shot in a straightforward style, the movie is never spectacular or overblown; Lindholm largely lets the situation's drama speak for itself. A War follows CO Claus Pedersen (Pilou Asbæk, who previously starred in Lindholm’s A Hijacking) and his unit – who are trying to weed the Taliban out of an Afghan province while protecting civilians – as well as Pedersen’s family in Denmark.
The tense vibe of the film is set early on when Claus’s unit is out on patrol. Sure enough, a young gunner is suddenly caught in a mine explosion, a horrific scene that brings home the unpredictability of the unit’s every mission as well as its close camaraderie. The CO – a tough but decent sort – is sympathetic to one soldier (Dulfi Al-Jabouri) who is badly shaken up by the incident, putting him on camp duty for a few weeks. Claus himself will replace both men on patrols, though it is not his usual role.
Meanwhile in Denmark, his wife Maria (Tuva Novotny) is dealing with their three young children, one of whom is having disruptive behavioral issu[...]
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8 years ago
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Forget this year's Oscars! The 2016 Screen Actors Guild Awards offers a wildly gorgeous array of surprisingly fresh looks that will surely influence future fashion to come. (It also showed that 69-year-old Susan Sarandon is still too legit to quit.)
The January 30th telecast, featured television and film luminaries wearing unpredictably dope designs from up-and-comers including Erdem and Peter Pilotto.
To use two-time 2016 SAG Award winner Idris Elba words to best summarize the gowns seen at last night's SAG Awards: "Ladies and gentlemen, welcome to diverse TV."
Check out five stand-out progressive styles that's definitely pushing awards show fashion forward.
Daring Statement Makers
Photo Credit: Getty Images
While actress Mad Men's Sola Bamis stole the red carpet wearing a marigold-hued bow dress by Lola Wusu, American Horror Story's Sarah Paulson surprised many with a black velvet and jewel-toned fringed gown.
New Spins On Vintage
Wearing a bespoke Rachel Comey dress and turquoise grandma heels, Transparent's Gaby Hoffman, is the best example of vintage as new-and-modern. Another stand out: Alicia Vikander's Louis Vuitton number featuring traditional color-blocking of black, silver, and gold. And while the actress took home an award for best female actor in a supporting role for The Danish Girl, her look was already a winner in itself.
Unexpected Colors
Photo Credit: Steve Granitz/Wireimage
2016 SAG Award winner [...]
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8 years ago
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I came across Katy Grannan's photographs at Salon 94 after visiting the New Museum next door. While individually they remain striking portraits, albeit not vastly unique in the photographic spectrum, what makes her work important lies in her documentary approach to the sleepiness, strangeness, and pathos of Modesto, California.
Also the setting of her upcoming documentary, The Nine, the pieces ranged from large-scale individual portraits, to landscapes, and video clips. The portraits are blazing in their preciseness and their size allows for the individuals to tower over the viewers, commanding the most space and attention in the room they are in. The men are shirtless, and the women sport outfits that look like they're from the 80's. A look of disillusionment permeates through their faces, however, and in the case of the women, it betrays the vibrancy of their clothing.
What's really at the heart of Grannan's work is a commentary on the American class system - ripe in the media these days thanks to shows like Making a Murderer - and "the other side of the American Dream." Modesto was the location in The Grapes of Wrath and Dorothea Lange's photograph Migrant Mother, both gripping portrayals of The Great Depression's physical and emotional effects on the psyche and physicality. And essentially, Grannan's work from Modesto serves as the setting of our contemporary depression. And the photographs speak for themselves in this regard - the subjects are present but not f[...]
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8 years ago
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Romania's official 2016 Academy Awards entry for Best Foreign Language Film, Aferim! is an unconventional and beautifully shot black-and-white movie that is both reminiscent of an American Western and exotic in its depiction of a bygone (and perhaps not so bygone) foreign culture. The episodic tale, which takes place in 1835 Wallachia (a region in Romania), follows a lawman and his son as they traverse a desolate landscape in search of an escaped gypsy slave.
Directed by Radu Jude and co-written by novelist Florin Lazarescu, Aferim! (which means “Bravo!”) is based on actual accounts of gypsy slavery. Though often comedic (the dialogue is full of crudely funny banter), it serves as a semi-historical commentary on Romania’s anti-Roma sentiment, which is still very much in evidence today. It also starkly depicts the ridiculous prejudices that people of one nationality or religion have for others, in addition to other forms of bigotry.
Constable Costandin (Teodor Corban) and his teenage son Ionitā (Mihai Comānoiu) first come upon an abbey on their travels, where they cross themselves and light candles like good Catholics, though Costandin has already cruelly berated an old woman and threatened a bunch of local gypsies. He’s a scrappy, equal-opportunity offender, who hurls insults at almost everyone he comes across – especially poor “crows” (gypsies) – or denigrates them behind their backs. In contrast, Ionitā is more reserved and thoughtful. The two carry a ma[...]
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8 years ago
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David Bowie was an incredible genius that has been a massive influence on the fashion world from ready-to-wear to high couture, trailblazing trends for both men and women alike.
Since news of David Bowie's tragic death on Sunday, January 10 hit the internet the following Monday, a deluge of mournful tributes on sites like Twitter and Facebook have brought back to attention many of his gender-fluid, enigmatic looks throughout the music legend's career, which span six decades.
His constant sartorial evolutions have left indelible mark on fashion, as evident in the multitude of status updates, images, and video, paying homage to Bowie.
Bowie as Ziggy Stardust. Photo Credit: Ilpo Musto / Rex Features
From Jean-Paul Gaultier's 2013 "Rock Stars" collection to Haider Ackermann's latest Spring 2016 line, it's no doubt that Bowie's influence still impacts fashion these days.
On Monday, Gaultier told The Associated Press, "personally, he inspired me by his creativity, his extravagance, his sense of fashion that he was constantly reinventing, by his allure, his elegance and his androgyny."
Below: 1) Jean-Paul Gaultier spring 2013, 2) Haider Ackermann spring 2016, and 3) Dries Van Noten men’s fall 2011 collections.
Photo Credit Jacques Brinon/Associated Press, Valerio Mezzanotti/Nowfashion, Francois Guillot/Agence France-Presse — Getty Images
To Karl Lagerfeld, Bowie was "a great artist, and a timeless icon...who will remain a reference."
And on Tue[...]
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