- 4 weeks ago
- With an unprecedented climate of change and concern dawning in the United States, Art for Progress arts education programs are more essential than ever. AFP is embracing the ever-growing need for alternative and supplemental art, music, theater, and fashion programs for young people representing the voice of true expression in our city. Once again this has been an exciting semester for existing Art for Progress arts education programs in New York City’s public schools, and there are some new programs in the works for the second half of the school year.Our flagship music program at Humanities Preparatory Academy, which includes school day sessions as well as after school, is flourishing and has produced and cultivated a bunch of wonderful talent this semester. Everyone at the school is looking forward to the talent show on February 16th, which will include solo vocal and instrumental performances, and a variety of ensemble pieces and even a dance number. AFP’s after school program at the James Baldwin School is also going strong and was well represented in the recent school-wide talent show on Friday, January 20. Students from both schools have been working hard after school every day, choosing songs and rehearsing. Especially impressive is the spirit of mutual encouragement among the students as the shows approach.As for AFP’s Young Adult Music Enrichment Program, tracking is nearly completed on Bronx rock band Statik Vision’s full-length album, and we are preparing [...]
- 5 months ago
- We recently caught up with Brooklyn based band Slothrust, who are releasing their long awaited third album, Everyone Else on Dangerbird Records October 28th.1) Are you native New Yorker's or transplants?Will and I are from Boston and Kyle is from New Jersey.2) How would you describe your sound?Blues / jazz influenced rock music with a lot of dynamics and time signature changes ;)3) How has the crowd responded to the new music from Everyone Else?Crowds we have performed to have responded really positively to the new music. We are very excited to tour and share it with more people.4) Was there a particular story you wanted to tell or message you wanted to send with Everyone Else?There is not one story in particular that I am trying to tell with this record. Thematically, it deals a lot with water and dreams. I like thinking about different states of consciousness and things infinitely larger than the self.5) What do you enjoy most about touring and performing live?I like seeing new cities and the exchange of energy that happens between performers and difference audiences.6) Tell me about your creative process. Do you work remotely or do you go off to the woods to write together as a group?It's a combination of a lot of things. Generally songs come to me in pieces and we go about executing them in a variety of ways. In the past there hasn't been a particular formula for us.7) Where do you find your inspiration[...]
- Brooklyn natives Chayse Schutter (vocals), Justin Flores (guitar), Don Scherr (drums) and Dan Hernandez (bass) make up the borough's newest metalcore punk band Pocketsand. While juggling jobs and touring, the guys have managed to begin recording an EP and drum up a small following despite having only formed earlier this year. Listen to their song "Blinding" below and check out what Chayse and Don have to say about their latest musical endeavor:1. How'd the band start?
Don: Chayse and Justin were working together at their day jobs, realized they were into the same sorts of heavy bands and decided they wanted to try to start a band in that vein of music for fun.2. How did you land on the name "Pocketsand"? Any connection to "King of the Hill"?
Don: Chayse was watching an interview where someone said they would use pocketsand as a default defense move in a bar fight, thought it was cool and mentioned it to Justin who knew if from "King of the Hill."3. How would you define your sound?
Chayse: Like throwing a trashcan full of nails down a set of stairs.
Don: Heavy hitting punk that stabs you and nurses your wounds at the same time4. If you could expand that sound somehow (eg, add a new instrument or another member) how would you?
Don: We use a lot of homemade samples in our live set that are spacey, sort of eerie soundscapes. We would love to keep that as part of our sound and expand on it for recordings.5. Is recording more of an isolated period or d[...]
- 7 months ago
- With the weather forecast calling for temperatures in the upper 90's on Friday, we did our best to prepare for an all day event in the sweltering NYC summer heat. But upon entering the venue, it was clear that the organizers of the Panorama Festival planned appropriately for our day. With many free water kiosks, tents and air conditioned art & music areas, it was easy to cool down if you were feeling overwhelmed by the oppressive heat.And although it's not so easy to get to Randall's Island, our timing was very good, and as we walked in Here We Go Magic was just starting to play in the huge tent to the north side of the venue. I was happy to finally here the band live. Some years ago I interviewed Luke Temple, but lost touch with the band's more recent happenings. They had a decent crowd for the early part of the day, and although they apologized for some technical difficulties, we were impressed with their set.As we made our way over to the main stage, we could hear Algier's set was already in full swing. Algier's set was only 30 minutes, but their powerful, dark soulful sound was evident throughout. While listening we were able to cool down over at the American Express spot. We snapped together some complimentary sunglasses and enjoyed some refreshments for a bit before heading back to the pavilion to hear Preservation Hall Jazz Band. A rather large, enthusiastic crowd was now gathered and grooving to some of the best New Orleans style jazz you can fi[...]
- This Saturday Grammy award-winning Latina musician Carla Morrison played a free show at the Prospect Park Bandshell. She followed Hurray for the Riff Raff and Buscabulla as part of the Bud Light Music series, which was presented in association with the Latin Alternative Music Conference (LAMC). The Conference puts on an annual showcase, this year’s iteration meant to showcase both emerging and established artists. Morrison’s presence definitely represented the latter.
Apart from winning the hearts of a vast and dedicated fanbase, the pop artist has also won two Latin Grammys. In 2012, she took home both the award for Best Alternative Song for "Déjenme Llorar" and the Best Alternative Music Album award for Déjenme Llorar. She was also nominated for the Song of the Year award for "Déjenme Llorar". The record has since gone on to be certified Gold in Morrison's native Mexico. This bout of success began the previous year with Morrison’s nomination for the "Best Alternative Music Album" for Mientras Tu Dormías at the 2011 Latin Grammys and has continued to the present.
Originally from Tecate in the Mexican state of Baja California, Morrison began expressing an interest in music early. She moved to Arizona in her late teens to study music at Mesa Community College. Soon thereafter, she dropped out to pursue a more self-taught and personal musical education. She studied with David Barrios[...]
- Yesterday, blink-182 released their new album California. A much anticipated record, it’s their first since ousting founding guitarist/vocalist Tom DeLonge. Early last year, the group announced the lineup change and welcomed Matt Skiba of Alkaline Trio as a third member. At a Blink show shortly thereafter, bassist Mark Hoppus introduced Skiba, then filling in on guitar, as our “new step dad that is going to be living with us from now on”. After years of ill-will amongst the band, it seemed the Hoppus-DeLonge divorce had finally gone through. Since joining, Skiba has racked up a good amount of performance time with the band and earned himself something of a warm welcome from the fanbase. He proved he could sing all the old songs and sound enough like DeLonge to keep with the sound, but add just enough of his own personality as to not come across as a carbon copy. The real test would be their record. It would definitively answer the question blink-182 fans had been posing since DeLonge left, “Who the fuck is Matt Skiba?”The album opens with "Cynical". In the anxiety-ridden open verse, Hoppus introspectively sings over clean guitar. Before listeners have time to wonder whether this slower pace is the new Blink, Skiba and drummer Travis Barker breakthrough. What comes next sound definitely like the band. There are all the elements you’d expect from Barker’s fills to the back-and-forth of Hoppus and Skiba trading off vocalist duties. What started as a questionable way to [...]
- 8 months ago
- Art for Progress’ after school music enrichment program at Hudson High School for Learning Technologies was especially inspiring this spring semester because of a dynamic group of multi-talented, and eager students. The program was reinstated this spring thanks to the efforts of principal Nancy Amling. The program had been inactive for the fall semester because a lack of funding, Ms. Amling was influenced in her decision to restart the program by an exceptional young student and musician named Terelle. Terelle’s enthusiasm and hunger for new knowledge were the ultimate catalyst for the formation of the program.Tarelle wanted to learn about how music works beyond the shapes he was learning on the guitar. Hudson HS currently offers a beginning guitar class as a part of the school’s regular curriculum. The class is focused on the mechanics of playing the instrument, but like most beginning guitar classes, it did not address the underlying music theory necessary for students who to build their skills beyond the basic guitar vocabulary.The group of students that comprise the AFP after school program at Hudson range from 9th-12th graders, and are led by Terelle. He expressed a desire to learn some more universal musical concepts in order to set up a foundation upon which to develop their musicality. They were made up of aspiring singers, guitarists, pianists, and bass players of varying levels of experience. We explored the construction of scales, chord building and common[...]
- 8 months ago
- While you wait for that new Taylor Swift album which is surely in the works given the artist’s recent break-up, here are a few songs to enjoy in the warm weather. No matter whether it’s more #endlesssummer or more endless bummer...1. Stabwounds’ “Fragile Boy”
Don’t let their name fool you. Despite the fact that their name makes them sound like a metalcore band, Stabwounds is more indie folk than -core. Together, bandmates Emma March Barash and Amanda Brooklyn form what they call “the sexually charged reincarnation of Simon and Garfunkel”. The duo crafts soft harmonies that drift likes breezes about heartache and relationships. Layered atop acoustic guitar or occasionally unaccompanied, they’re an easy listen. If you missed the chance to see the band live at their recent Pianos gig, they’ll be playing an upcoming show at The Manhattan Inn in Brooklyn on July 11th!2. Modern Baseball’s “Wedding Singer”
Although both Brendan Lukens and Jake Ewald share the duty of primary vocalist in Modern Baseball, this single off their new record Holy Ghost features Ewald alone and perhaps at his best. The video features a pink haired hearse driver (think a younger Kate Winslet in Eternal Sunshine of a Spotless Mind) coming to the rescue of a frantic young man, pacing the gates of a cemetery. The two drive around in the modified cadillac, eventually roller skating and karaoking. It’s like a four minute rom-com complete with all the will-they, won’t-they meaningful eye contact yo[...]
- The question of safety at shows gets rehashed at least once a year. Usually around festival season when there's a surplus of concerts, all the top outlets, popular musicians, and related voices chime in as to what they think this means. Factors and examples of good, bad, and ugly behavior are paraded out and readers are asked rhetorically: What do we think about moshing? Is stage diving safe? What about selfie sticks? Should we allow "all ages" shows? Some of these concepts and actions are labeled as questionable or unsafe only for the spirit of debate; however, some raise valid issues. A selfie stick in a thick crowd does have the potential to hurt someone. Or at least really tick off the people behind the user enough to insight a tiny riot.Most of these concerns, like age restrictions, have the best intentions (eg, the well being of underage listeners) at heart. Warped Tour has intermittently tried to ban moshing, citing the likelihood of injury and a resulting lawsuit. Organizers understand that such behavior is integral to Warped culture, but ultimately take a sort of "this is for you own good" stance. This attitude has become somewhat controversial due to the lack of consensus, amongst members of both the bands and the crowd, on whether Warped has the right to make that decision. Some want to learn to avoid a -core pit the hard way and don't mind chipping a tooth in the process. Others want to be cautioned, but not restricted and given the option to participate i[...]
- The House of Vans sounds more like a lesser family in HBO’s Game of Thrones than a concert venue. At least in Brooklyn. Here, the famed shoe manufacturer is better known for its clothing than its concert space. Vans shoes, snapbacks, backpacks and hoodies can easily be found in just about any corner of the borough, but mention the House of Vans to a passerby and you’re likely to be met with confusion. Other venues like Irving Plaza, Terminal 5, and MSG have risen to the level of the common vernacular, amongst concertgoers and non-concertgoers alike; odds are even your landlord has heard of those. While the House of Vans doesn’t toil away at the level of obscurity of say Cake Shop or Palisades, the name doesn’t carry the weight it normally does. Out on the wider concert circuit, Vans rules supreme as sponsors of the famed Warped Tour. Here, it is just lesser known and that is a mistake.*Hidden in the far reaches of Greenpoint, tucked up against the water, the venue boosts both an indoor and outdoor stage area, a bar, and enough ramps to qualify it as a skatepark. It’s an incredibly versatile space. Problem is that in order to have that much space in this city you have to be somewhere where there is still space to be had. You need to be able to gather hundreds of people on any given night and be loud until all hours of the morning. You need to be able to pull amps and all manner of equipment through the doors. Most importantly, you need to be able to afford the rent.
- In part 1 of this series, we looked at a video that showcased an artist as a role model, another that shed light on the creative process of an up-and-coming band, and a third that brought international superstars back to their old digs to be humbled by their beginnings. For this installment, we’re going to revisit the political music video with TARICA's “But, Anyway” as well as examine the success of the web series with a look at NPR’s Tiny Desk.Tarica's “But, Anyway”
Suzanne Vega's "Tom's Diner" has been sampled, remixed, covered and served up in countless fashions. Over the years everyone from Aaliyah to Britney Spears to Fall Out Boy to R.E.M have tried their hand at the 1987 classic, always placing the songs unmistakable “duh duh duh duduh, duh duh duduh” at the forefront of their efforts. Most recently, D.C. rapper Tarica June included the interlude in her song “But, Anyway.” In the song rather than recounting the patrons of a local cafe as Vega did decades before, June discusses the gentrification of her home town. With personal, frank and adept lines like, “But anyway, this is third generation for me / My parents and my grandparents all from DC / So I feel like I notice things other folks can't see / And like I represent things other folks can't be”, June makes her point without so much as raising her voice. Her approach, unlike many others, is one of hope and positivity with the song's chorus opening with, “But anyway I can go on forever about all of the bul[...]
- 9 months ago
- Montreal based experimental pop/rock band Braids are set to release the follow up to the critically acclaimed album, Deep in the Iris on May 20th. The four songs for the EP were recorded in August 2015 shortly after the band completed work on Deep in the Iris, but we're surely not talking about B sides here.
With Companion, the band continues with a similar minimalist approach musically, but as you listen to the title track which begins by deeply focusing on the beautiful soaring vocals of Standell-Preston, the tension builds as the synthesizer takes a growing, more profound role in the track. The vocals and music provide a fantastic balance of emotion in the build up, and as the song begins to fade out with a delicate piano, a whispering vocal joins in, "Remember when I pushed you in, you were surprised that you floated."
The second track, Joni, takes a more powerful, upbeat approach with its booming, break-beat musical structure. Lyrically, the song addresses dealing with life's uncertainties and the personal challenges that come with it. On the other hand, Trophies for Paradox gets back to the common topic of relationships and all the complexities that go with it. The music composition is also more complex with added guitar elements in the mix. Perhaps, my favorite song on the EP is Sweet World.The composition of the track provides a pure energy rush as it unfolds with a driving style not found with the other songs on the EP. Overall, this is a very strong re[...]