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6 years ago
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This summer, thanks to a grant from the Matisse Foundation, I had the great pleasure of teaching the music portion of the Art for Progress Summer Arts & Music Program for high school students and young adults interested in pursuing creative careers. Consisting of series of four workshops held on Sunday mornings during July and August at the Clemente Soto Velez Cultural and Educational Center, the program was designed to explore the many real-world considerations inherent to careers in the arts and music. The focus was to look at some of the dynamics at play in the music and art worlds, and to provide support in the development of specific skills in the various media. Each week, a professional working in the arts was invited as a guest speaker and to host a short discussion. The speakers were happy to answer questions and were very informative and animated as they enlightened the group about the day-to-day life of a working artist. Everyone seemed to have a great time and to get a better sense of how to approach their work professionally going forward. On a personal note…I had the fantastic opportunity to study visual art in Paris while in college, and later jazz theory and improvisation, so it was auspicious to me to be able to work with the foundation representing French painter Henri Matisse, a personal favorite and early influence. Matisse was known to love American jazz music, and that added to my special sense of personal investment in this project. We at AFP are[...]
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6 years ago
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Pedro, welcome to AFP, we are pleased to have you here. Please tell us when you started playing and producing electronic music? Tell us about your first project.
I started experimenting with audio edition software when I was 16. At first, my intention was only pure distraction and fun. Before, I used to listen to lot of music, not only electronic music but also good rare versions of everything that you can imagine. I have a brother who is a music lover. I was also an amateur guitar player in a band.
It's my understanding that you've produced music under different artistic names and musical projects in the past? This was before your personal projects, correct?
When I was 22, I started to mix music using the name Pettre and was using it for many years. I published a track on Hivern Discs with John Talabot and Pional. Afterwards, with my project duo called Aster, I have worked for years at Hivern Discs and also at the famous label Mathematic Recordings, based in Chicago. With my recent project Pedro Vian and also with the Aster duo, I've had a presence in important festivals such as Sonar and Primavera Sound.
How do you define your style?
It is impossible to me to categorize it in a single style, because it is a mixture of many. Basically, I don't know how to define it. The experimentation is predominant; many times I feel myself with a foot on the dance floor while the other foot is in the spiritual and ambient side.
https://soundcloud.com/pedro-vian
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6 years ago
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Art for Progress wants to say goodbye to 2017 with the best electronic music albums of the year.
Below you find our year-end top ten AFP picks that we have selected especially for you. The list includes a video and the label info where the records have been published.
2017! It was a great year for music in the world with many awesome, high quality albums created by the most talented artists from across the world.
Enjoy the new year and may your 2018 be full of good music!
Happy 2018!
1. LCD Soundsystem - American Dream. DFA and Columbia Records.
https://www.youtube.com/watch?v=zKeJFxwuBBE
2. Björk - Utopia. One Little Indian Records.
https://www.youtube.com/watch?v=Sqbv7cCM5AI
3. Laurel Halo - Dust. Hyperdub.
4. Four Tet - New energy. Text Records.
https://www.youtube.com/watch?v=lWInZ4N6C2g&t=2357s
5. Bonobo - Migration. Ninja Tune.
6. James Holden - The animal spirits. Border Community.
https://www.youtube.com/watch?v=pj35YNtP3IE
7. Powerdance - The Lost Art of getting Down. Powerdance.
https://www.youtube.com/watch?v=nHrBXKtc0Sc
8. Charlotte Gainsbourg - Rest. Because Music.
https://www.youtube.com/watch?v=eRwgL_PrQYQ
9. Errorsmith - Superlative Fatigue. Pan.
https://www.youtube.com/watch?v=9fsCgZh6E8k
10. Arca - Arca. XL Recordings.
https://www.youtube.com/playlist?list=PLZqsyBiYZFQ3bQ6wAHoeYkkt[...]
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9 years ago
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To celebrate the release of their first release on Fueled by Ramen Records, The Front Bottoms played Brooklyn’s Rough Trade. Entry to the show was granted with purchase of the album, Back On Top, and came with a signing after the show. The formula is one Rough Trade is a) known for and b) built for. The combined record store/concert space has the stage in the back and the floor space within the shop itself to accommodate both events.
Before the show fans, most of whom were hugging a recently purchased vinyl of Back On Top, lined up along the wall of the store, chattering excitedly about the record. It was a fairly young crowd, some members bragging about how they had cut class to line up early. The guy handing out 21+ wristbands didn’t have much to do. Despite the age difference, one thing was clear. Everyone was there for the band.
Not that only die hards are capable of showing up to an early show on a weekday evening. Everyone is and was welcome. It wasn’t the show that collected passersby or casual listeners. Partially because Rough Trade is tucked somewhat away from the rest of Williamsburg and partially because the nature of the show attracted the more “serious” fans. The majority of the crowd accumulating in Rough Trade really, really liked the band. That’s why they showed to the concert/signing, not just the band’s gig later in the month at Irving Plaza. In fact, many talked about going to both shows. Some even buzzed about seeing the band earlier in the summ[...]
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