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9 years ago
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This week, as Kim Kardashian's Paper Magazine cover attempts to #BreakTheInternet with her booty, I chat with Brooklynite Amber Jimenez Garcia, creative director and designer of Ambit NYC, about another kind of booty---the baby shoe variety. Her label, known for locally-produced, handmade designs, using quality materials, is currently undergoing an evolution with the birth of Jimenez Garcia's son. The designer has found that incorporating her little one into her career plans is helping her to find her balance as a first-time mother and designer. Discover more about her new venture after the jump.
-Jacqueline Colette Prosper, @yummicoco
Inspiration:
Some of the reasons why moccasins appealed to me for him: The shoes are soft so he can feel the ground, and they don't interfere with his balance. The bottoms are suede, which is better than keeping him in socks because they are more sticky, and have more movement in them. My son is learning to walk, and moccasins are really easy and functional. I had some leather, and thought, I can do that. Once I started, it became more complicated than that, because you have to think in a different way [when designing for a baby]. I'm used to making adult things. [In this instance] I had to think, considering what would be good for a baby, which I had never really done.
Challenge:
I didn't study shoemaking, I studied clothing. I've always been interested in making adult shoes but it feels a little inaccessible, because i[...]
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9 years ago
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In association with Art for Progress (AFP) Déjà vu art exhibition, the group will host three exciting events during the two week show that features 14 international artists.
Following up a fantastic opening night on October 30th, AFP will host an evening of unamplified sounds from its talented stable of musical artists at the space on Thursday, November 6th at 7:00PM.
Barry Komitor, AFP’s Arts Education Program Manager and a teaching artist, will play an acoustic set followed by Jeremy Danneman from Parade of One. Plus, a surprise special guest performance.
On Sunday November 9th, Art for Progress will host a brunch titled, Drones, Donuts and DJ’s from noon to 3pm at NOoSPHERE Arts.
On opening night, artist Essam’s drone installation garnered much attention as people approached the space on Houston Street and experienced the actual sound from an approaching drone.
As guests approach the space on Sunday the 9th, they’ll also hear the rich, full sound of analog beats (vinyl) being spun by DJ’s Bruce Tantum, Gatto (AFP’s founder & director) and Brett Crenshaw.
And let’s not forget the donuts! Other than ice cream, donuts are one of the most loved foods in America! So, join us for brunch and enjoy a prominent topic of conversation, quality analog music and of course, donuts!
Although we’ll be sad to see the exhibition close on November 12th, it will be an exciting evening as we host an artist talk from 6pm-8pm with NYC based artists Essam and gilf!
We [...]
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9 years ago
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Celebrity ghost writer Michael Malice is the subject of Harvey Pekar's Ego & Hubris, and is best known for co-authoring books with prominent personalities like comedian D.L. Hughley. In an interview, Pekar aptly describes Malice as someone who is "motivated by things that are different than what motivates other people." Take his recent output Dear Reader: The Unauthorized Autobiography of Kim Jong Il, which explores the life and influence of the beloved/feared former North Korean leader. Funded by a successful Kickstarter campaign, Malice breathes new life into a little odd man from a "hermit kingdom" that many in the West would rather sweep under the rug of history.
He's also a fanatic of obscure 80s finds.
Follow him, Dear Reader, at @MichaelMalice. In the meantime, discover three of his prized personal possessions after the jump.
-Jacqueline Colette Prosper, @yummicoco
1) Traditional North Korean Suit
Backstory:
[When I was] going to North Korea, one of the things I really wanted was a handmade North Korean suit. There was someone on my tour who had one of those accordion cameras, like 1890s-y, but it was digital, and my guide did not know what that was. I'm like "oh, it's hipster," and then I tried to explain what "hipster" means. To a North Korean it was very hard for me to do, but fortunately good friend Nichelle Stephens had given me a definition years ago to mean "someone who likes anything that's old," so I said that's what "hipster" means. Later[...]
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10 years ago
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I am delighted to be blogging (every 8th and 25th of the month) about film for Art for Progress. The organization/site’s dual mission – supporting emerging artists and arts education – is an admirable one, especially given the stratospheric real estate prices in New York and other cities that have traditionally incubated arts scenes, and the deep cuts in pubic school arts education. The ever-escalating mainstream media coverage of celebrity-driven — as opposed to talent-driven — arts and entertainment doesn't help the current climate. Fortunately, blogs such as this exist!
In the past 20-or-so years of writing about movies for a variety of print and digital outlets, I’ve covered everything from major Hollywood releases to little-heralded films, interviewed (i.e., was allotted 15 phone minutes with) major movie stars and had long, insightful conversations with extremely independent filmmakers. It’s all been good, but I especially relish writing about lesser-known films and their creators; it’s always satisfying to encounter a fresh cinematic voice and easy to get caught up in the excitement of the filmmakers themselves. That's mainly the stuff I plan to cover here.
The Heart Machine, which received a lot of positive attention at this year’s SXSW Festival, is the first feature from writer/director Zachary Wigon, who used Kickstarter to help fund it. A 2008 graduate of NYU’s Tisch School of the Arts, Wigon has a background in film journalism. While at school he started[...]
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10 years ago
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September has been another exciting month for AFP Arts Education. We have been forming alliances with a variety of other non-profit groups, as well as getting this semester’s programs under way. Teaching artist Elio Schiavo has been doing a great job with our new partner LACASA at P.S. 84. Elio is teaching four percussion classes per week to K-4 students.
I have hit the ground running at Humanities Prep this semester. In addition to having two great groups of kids in my regular classes, I have some very dedicated and focused students attending, and we are getting into some great stuff, including song analysis, learning how to identify the key or keys of a song, and some new improvisation techniques.
One of my favorite things about having the opportunity to teach at the same school for a third consecutive year is that new students have heard exciting things about my class from their friends. When they come to class in the beginning of the year they are eager and hopeful, they know the class can help them achieve goals that are important to them, and they are attentive and participate with less self-consciousness. Some students who have excelled and some who were slow to appreciate the opportunity actually request to be enrolled in the class for a second time. Whether they are expanding their repertoire or finally taking the class seriously, returning students are enthusiastic and focused without exception. Because there is a well established creative musical culture th[...]
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10 years ago
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There's have been so many good electronic- and dance-music releases coming out lately that our heads are spinning…but we've conquered our vertigo enough that we can tell you about two of our favorite recent releases. As an added bonus, both of them have a strong Gotham component - go, home team!—Bruce Tantum
New York Endless
Strategies EP
(Golf Channel Recordings)
“Scale Those Heights,” off the debut EP from New York Endless, is bedecked with the following ornamentation: a metronomic, tick-tocking rhythm; percolating, cascading synths; a spare, haunting melody and, when a four-chord keyboard pattern kicks in around the three-minute mark, a quietly triumphant ambiance. In short, it’s a gorgeous tune that’s not far removed from the work of Kraftwerk, especially the often-meditative, flowing music the German quartet produced for mid-period albums such as ’77's Trans-Europe Express and ’78's The Man-Machine—and for Dan Selzer, the man behind New York Endless, that likely would be the ultimate tribute. Selzer, a veteran DJ and longtime underground presence (he runs the postpunk/new-wave–oriented label Acute Records, among many other claims to fame), doesn’t keep his love of Kraftwerk, and specifically, the combo's “Europe Endless,” a secret, and the shimmering aesthetic of that song and that album runs strong on this EP.
Which is not to say that Selzer has made a slavish, gently cosmic Kraftwerk copy here. “Scale Those Heights” is a full-bodied and muscular work, closer[...]
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10 years ago
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Art for Progress (AFP) is pleased to announce a group exhibition of new works by artists from New York City, Los Angeles, Spain and Israel. The show entitled “Déjà vu” will run from October 30th to November 12th, 2014 at NOoSPHERE Arts in New York City, and the opening reception will take place on October 30th from 6 to 10 PM.
The exhibition will include a variety of mediums, from painting to sculpture, which tackle the theme of déjà vu. The term can be described as “a feeling of having already experienced the present situation” or “a tedious familiarity.”It first appeared in a 1928 text entitled a Text for Psychology. Since then, the topic of déjà vu has been addressed from the big screen to Sci-Fi novels. It is a concept and sensation that has captivated audiences for generations and in this exhibit AFP hopes to push the boundaries of this.
For this show, the concept of déjà vu has been explored from several vantage points, from ideas of storytelling to an affective feeling. This exhibition is seeking to both comment on this topic and try to rethink the way in which it has been socioculturally situated. Déjà vu has come to occupy a very specific place within popular culture and this exhibition aims to build on that while also carving out new meaning for it.
Fourteen artists will be featured in the show: Rocco Alberico, Ted Barr, Bill Claps, Lance Dehne, Tony DiBella, Essam, gilf!, Diane LaRaja, Lichiban, Sona Mirzaei, Carol Nussbaum, Juan Manuel Pajares, Jeanne Wilkinson[...]
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10 years ago
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The Soho Grand Hotel was the place to be for art enthusiasts on Wednesday September 10th as New York's fashion week kicked off. Known as a feminist artist and yarn bomber, Olek's latest show, "Reality What a Concept" opened to rave reviews. The show, curated by the uncompromising Natalie Kates, included performance pieces in addition to the crocheted playground created by Olek.
Olek's work will be featured at the hotel through the end of the year. The show is part of a year long curatorial series by Natalie Kates which includes an upcoming exhibition by artist Ron English.
- Frank Jackson
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10 years ago
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Strictly Rhythm. Nervous. Emotive. These seminal New York labels, along with a handful of others, evoke a time in the late ’80s and early ’90s when the local variant of house music, one that combined depth, emotion and soul with the raw rhythms that had been coming out of Chicago, took form. But there was one other local label that was equally influential—and it wasn’t even based within the five boroughs. Its name was Movin’ Records, a label (and record shop) led by Abigail Adams and based in East Orange, New Jersey.
Between 1987 and 1995, Movin’ released some of the most beloved songs of the era—Phase II’s stone-cold classic “Reachin’" among them—and its lineup of vocalists and producers and included such notables as Kerri Chandler, Kenny Bobien, DJ Pierre, Ce Ce Rogers, Blaze’s Kevin Hedge and Josh Milan, Ace Mungin and Tony Humphries. That last name is key: A symbiotic relationship formed between the club that Humphries deejayed at, Club Zanzibar in nearby Newark, and Movin.' Though they were both just a few miles west of Manhattan, the Movin’-Zanzibar affiliation resulted in a sound with a different feel than what was going down in Gotham, a feel that amped up the gospel- and R&B–tinged passion beyond what the big city had to offer. It’s a style of house generally referred to as the Jersey Sound—and its effects can still be felt on the club music of today. I recently had the pleasure of speaking with the gracious and friendly Adams, her love of the music still shin[...]
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10 years ago
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Beth Fiedorek has been creating psychological narrative paintings and performance based work since 2007. Fiedorek who is a graduate of Yale, tackles issues surrounding everyday experiences while also commenting on "the improvement oriented culture" we live in within her art. Beth's introspective and insightful approach to the art making process adds a level of complexity to the work she is generating. Fiedorek who has lived in Brooklyn since 2012, has taken part in the Gowanus Open Studios as well as performing in festivals such as FIGMENT, which occurred this past June.
I recently spoke with Fiedorek about her art making process, what some of the challenges she has faced as a working artist have been and her take on the Brooklyn arts scene.
Something Invisible to Others, Oil on MDO board, 48" x 48". Image courtesy of Beth Fiedorek.
Anni Irish: How did you get interested in art?
Beth Fiedorek: I always liked making things, ever since I was really young. I have found that materials tend to speak to me, sometimes more so than people which can prove to be awkward.
As I’ve gotten older, making art has become more about communicating and processing experiences. Figuration and materials carry symbolic energy that I try to use thoughtfully, highlighting strange moments I find intriguing. In painting, there are psychological narratives that emerge over time and it is not always something you can control. For me, the process and re-evaluation of materials are deeply [...]
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