Yearly archives:2014

  • Celebrity ghost writer Michael Malice is the subject of Harvey Pekar's Ego & Hubris, and is best known for co-authoring books with prominent personalities like comedian D.L. Hughley. In an interview, Pekar aptly describes Malice as someone who is "motivated by things that are different than what motivates other people."  Take his recent output Dear Reader: The Unauthorized Autobiography of Kim Jong Il, which explores the life and influence of the beloved/feared former North Korean leader. Funded by a successful Kickstarter campaign, Malice breathes new life into a little odd man from a "hermit kingdom" that many in the West would rather sweep under the rug of history. He's also a fanatic of obscure 80s finds. Follow him, Dear Reader, at @MichaelMalice. In the meantime, discover three of his prized personal possessions after the jump. -Jacqueline Colette Prosper, @yummicoco 1) Traditional North Korean Suit Backstory: [When I was] going to North Korea, one of the things I really wanted was a handmade North Korean suit. There was someone on my tour who had one of those accordion cameras, like 1890s-y, but it was digital, and my guide did not know what that was. I'm like "oh, it's hipster," and then I tried to explain what "hipster" means. To a North Korean it was very hard for me to do, but fortunately good friend Nichelle Stephens had given me a definition years ago to mean "someone who likes anything that's old," so I said that's what "hipster" means. Later[...]
  • I am delighted to be blogging (every 8th and 25th of the month) about film for Art for Progress. The organization/site’s dual mission – supporting emerging artists and arts education – is an admirable one, especially given the stratospheric real estate prices in New York and other cities that have traditionally incubated arts scenes, and the deep cuts in pubic school arts education. The ever-escalating mainstream media coverage of celebrity-driven — as opposed to talent-driven — arts and entertainment doesn't help the current climate. Fortunately, blogs such as this exist! In the past 20-or-so years of writing about movies for a variety of print and digital outlets, I’ve covered everything from major Hollywood releases to little-heralded films, interviewed (i.e., was allotted 15 phone minutes with) major movie stars and had long, insightful conversations with extremely independent filmmakers. It’s all been good, but I especially relish writing about lesser-known films and their creators; it’s always satisfying to encounter a fresh cinematic voice and easy to get caught up in the excitement of the filmmakers themselves. That's mainly the stuff I plan to cover here. The Heart Machine, which received a lot of positive attention at this year’s SXSW Festival, is the first feature from writer/director Zachary Wigon, who used Kickstarter to help fund it. A 2008 graduate of NYU’s Tisch School of the Arts, Wigon has a background in film journalism. While at school he started[...]
  • There isn't a more musically diverse city than New York. The boroughs boast every kind of venue, from coffee shops to concert halls. From Barclays to The Bowery to The Silent Barn, there is a constant flow of musicians moving amongst, around and through NYC. Whether they are defining or defying a genre, each strive to make their mark. This blog aims to explore that journey and report on what the natives and newcomers are coming up with. On the 3rd and 20th of every month we will post on the up and coming, the established, the solo acts and the full bands, doing our best to bring you what's news and what's new. Open mic nights, co-headlined tours, battles of the bands and quality buskers are all fair game; we aim to bring you a mix of everything. We want to include the five person Balkan brass bands, the shoegazing indie rockers, head-smashing metal acts and whatever else this city may culture in its midsts. We understand that the NYC music scene is ever changing and we plan to keep pace. We won't tell you who to see or who to listen to, but if you would like suggestions we're here to help. We will be posting interviews, concert recaps, album reviews and any related news, all with the aim of making you a better informed listener. Welcome and we hope you enjoy the ride. About your blogger: Zoe Marquedant grew up listening to, playing and illegally downloading (whoops) music. Nowadays there is rarely a moment when she does not have her headphones in. Although a longstand[...]
  • September has been another exciting month for AFP Arts Education. We have been forming alliances with a variety of other non-profit groups, as well as getting this semester’s programs under way. Teaching artist Elio Schiavo has been doing a great job with our new partner LACASA at P.S. 84. Elio is teaching four percussion classes per week to K-4 students. I have hit the ground running at Humanities Prep this semester. In addition to having two great groups of kids in my regular classes, I have some very dedicated and focused students attending, and we are getting into some great stuff, including song analysis, learning how to identify the key or keys of a song, and some new improvisation techniques. One of my favorite things about having the opportunity to teach at the same school for a third consecutive year is that new students have heard exciting things about my class from their friends. When they come to class in the beginning of the year they are eager and hopeful,  they know the class can help them achieve goals that are important to them, and they are attentive and participate with less self-consciousness. Some students who have excelled and some who were slow to appreciate the opportunity actually request to be enrolled in the class for a second time.  Whether they are expanding their repertoire or finally taking the class seriously, returning students are enthusiastic and focused without exception. Because there is a well established creative musical culture th[...]
  • Alan Lupiani has been a involved in the New York art scene since 1996.  In this time, he has built an impressive resume of exhibitions that he has participated in and curated himself. Lupiani, a graduate of Binghamton University, earning a BA Studio Art 1988, would go onto receive his MBA in Arts Administration from the same institution in 1991. While Lupiani is a trained painter, his most recent work questions the conceptual bonds between painting and performance based work. In 2007, he launched his own LIVE Internet show entitled, “Dear Immaculately Groomed Italian Guy.” The show was successful in that it attracted as many as 10,000 viewers per episode. Lupiani produced approximately fifteen live episodes. Each episode utilized a similar format: cooking dinner for a guest in his apartment, while taking Skype calls from a global audience base. He also presented previously recorded clips with his guest at various locations around New York City. Lupiani recruited the individuals he hosted through the “Gigs” section of Craig's List. These meetings via Craig's List created the vibe of chance intimacy which resulted in provocative, comedic interactions. Currently Lupiani “utilizes painting as a metaphor to deconstruct various “situations” which he discovers through the internet, pop culture, and his personal biography. This approach to painting involves picking words and images that Lupiani responds to on a daily basis. He then manipulates the images in Photoshop, prints [...]
  • There's have been so many good electronic- and dance-music releases coming out lately that our heads are spinning…but we've conquered our vertigo enough that we can tell you about two of our favorite recent releases. As an added bonus, both of them have a strong Gotham component - go, home team!—Bruce Tantum New York Endless Strategies EP (Golf Channel Recordings) “Scale Those Heights,” off the debut EP from New York Endless, is bedecked with the following ornamentation: a metronomic, tick-tocking rhythm; percolating, cascading synths; a spare, haunting melody and, when a four-chord keyboard pattern kicks in around the three-minute mark, a quietly triumphant ambiance. In short, it’s a gorgeous tune that’s not far removed from the work of Kraftwerk, especially the often-meditative, flowing music the German quartet produced for mid-period albums such as ’77's Trans-Europe Express and ’78's The Man-Machine—and for Dan Selzer, the man behind New York Endless, that likely would be the ultimate tribute. Selzer, a veteran DJ and longtime underground presence (he runs the postpunk/new-wave–oriented label Acute Records, among many other claims to fame), doesn’t keep his love of Kraftwerk, and specifically, the combo's “Europe Endless,” a secret, and the shimmering aesthetic of that song and that album runs strong on this EP. Which is not to say that Selzer has made a slavish, gently cosmic Kraftwerk copy here. “Scale Those Heights” is a full-bodied and muscular work, closer[...]
  • Art for Progress (AFP) is pleased to announce a group exhibition of new works by artists from New York City, Los Angeles, Spain and Israel. The show entitled “Déjà vu” will run from October 30th to November 12th, 2014 at NOoSPHERE Arts in New York City, and the opening reception will take place on October 30th from 6 to 10 PM. The exhibition will include a variety of mediums, from painting to sculpture, which tackle the theme of déjà vu. The term can be described as “a feeling of having already experienced the present situation” or “a tedious familiarity.”It first appeared in a 1928 text entitled a Text for Psychology. Since then, the topic of déjà vu has been addressed from the big screen to Sci-Fi novels. It is a concept and sensation that has captivated audiences for generations and in this exhibit AFP hopes to push the boundaries of this. For this show, the concept of déjà vu has been explored from several vantage points, from ideas of storytelling to an affective feeling. This exhibition is seeking to both comment on this topic and try to rethink the way in which it has been socioculturally situated. Déjà vu has come to occupy a very specific place within popular culture and this exhibition aims to build on that while also carving out new meaning for it. Fourteen artists will be featured in the show: Rocco Alberico, Ted Barr, Bill Claps, Lance Dehne, Tony DiBella, Essam, gilf!, Diane LaRaja, Lichiban, Sona Mirzaei, Carol Nussbaum, Juan Manuel Pajares, Jeanne Wilkinson[...]
  • The Soho Grand Hotel was the place to be for art enthusiasts on Wednesday September 10th as New York's fashion week kicked off. Known as a feminist artist and yarn bomber, Olek's latest show, "Reality What a Concept" opened to rave reviews. The show, curated by the uncompromising Natalie Kates, included performance pieces in addition to the crocheted playground created by Olek. Olek's work will be featured at the hotel through the end of the year. The show is part of a year long curatorial series by Natalie Kates which includes an upcoming exhibition by artist Ron English. - Frank Jackson
  • I recently saw “Ernest Cole Photographer” which is on display through December 6 at the Gray Art Gallery at New York University. This is the first solo exhibition of Cole's work in the US which was organized by the Gothenburg’s Hasselblad Foundation. The exhibition features 120 photograph which stem from his time working as a photojournalist in South Africa in the late 1950 and 60s. Cole was born in 1940 in the township of Eersterust, Pretoria. Several years later his family was forced to relocate to Mamelodi as a result of the Group Areas Act of 1950. Growing up in a very politically charged time in South Africa greatly affected how Cole would come to view the world. Cole began taking photographs at a young age which would turn into a life long passion for him. In 1958, Cole began working as a dark room assistant at DRUM Magazine, a publication geared towards black lifestyle located in Johannesburg. Working under the supervision of fellow photographer and artist Jürgen Schadeberg, Cole started to become politically active. During this time he met various artists, musicians and political leaders who were also fighting in the anti-apartheid movement. With Schandeberg's help, Cole enrolled in a correspondence course with the New York Institute of Photography. Cole would go onto to document the political situation in South Africa while working as a photojournalist for various newspapers. These photographs would become the basis of his 1967 book House of Bondage which w[...]