Category archives: Non Profit

  • At The James Baldwin School in Chelsea, AFP's program is in its 3rd year, offering after school digital audio production, musical instrument instruction and performance coaching. Students range from 9th to 12th grade and come to the program with a variety of individual goals in mind. The sessions vary, and participants usually work individually or in small groups. The class combines a combination of elements which are often going on simultaneously. One group may be learning how to sequence beats to a metronome track on one computer, while another student is involved in the more advanced stages of a fully fleshed out track on the next. At the same time a vocal duo may be working out harmonies to a rock ballad, while others are learning how to build scales and chords on the piano. In all cases, the fundamentals of music making are uncovered and explored. The focus is always on building a working musical vocabulary and developing the ability to use music for self-expression. This year at Baldwin I have seen remarkable progress on every front. Beat-makers have progressed from struggling at playing simple kick and snare patterns, to building complete tracks and having their friends rap over them. Drummers who had never played a drum-set maintain a groove behind a full band. I’m especially impressed with Reshwan and Katana who had never met before. Within a few short months they have  become a powerful cohesive duet act eagerly learning the theory to support their development[...]
  • The Art for Progress music program at Humanities Preparatory Academy, now in it’s fourth school year, is the flagship of AFP’s arts education programs. Instituted in the Fall of 2012, the program serves two classes of 12-18 students four days per week, with each day’s lunch period serving as an additional class period enabling students to seek further instruction or individual practice time. The class is open to students of all high school years (9-12) allowing a rare occasion for teens of different ages to interact on a level playing field in a collaborative setting. There are also two after school sessions per week, which give students an opportunity to either practice alone, or to join in group music-making, which is the ultimate intention of all AFP music programming. Faculty also participate, further enriching the overall experience of the students, and the teachers learn just as much as the kids! The goal of the program is for every student to be able to play at least one complete song. Toward this goal, all students learn the basic mechanics of music in general, and to develop proficiency on least one instrument. Although much of the class time is spent building and developing skills, the focus of the program is ultimately on giving students the tools to express themselves. The semester begins with discussions about students’ musical interests and experiences, with everyone having an opportunity to choose a song by an artist or group that they like to share wi[...]
  • "Our doubt is our passion, and our passion is our task." Henry James' words are apt in describing the art-making process, and how it can explore uncertainness through introspection. In the process, the artist and viewer enter into an intangible, unpractical, and highly emotional place that is ultimately the most passionate because it allows them to explore the more ambiguous realms of the self. This is exactly the intent and effect of "I DREAMT," New York performance artist Nicholas' Gorham's recent production. In it, he lip syncs sound bites by Delia Derbyshire, a leading British electronic musician from the 1960s. He was utterly fascinated by their evocative beauty, and knew he would eventually incorporate them into a performance. The sound recordings are different voices describing a nightmare of being chased, and Nicholas switches from one character to another in a matter of seconds. This is achieved by having light projections of different outfits cast onto his body, which is the sole illuminated presence in a darkened room. Coupled with the haunting repetition of phrases, such as "I'm running away...running, and running, and running" in each of the different voices, the result is dark, painful, but incredibly engrossing especially if you have ever had nightmares. He plans to take this the exploration of the subconscious further in his upcoming Christmas theater production, also focusing on time, space, identity, and superficiality but with a stronger social co[...]
  • The turkey has been eaten, the in-laws have left, the traffic has settled and the flurry of the Thanksgiving has finally subsided. We were meant, during the holiday, to reflect and give thanks for all that we have in our lives, but those sentiments sometimes get lost in the craze surrounding Black Friday/Small Business Saturday/Cyber Monday. We forget the “giving” part of Thanksgiving. To counteract this, “Giving Tuesday” was launched by organizations like 92nd Street Y, the United Nations Foundation, the website Mashable and the brand (RED). The day is meant to remind us to pause our consuming (figuratively. you can keep working on those leftovers if you want) and give back this holiday season. Here are five charitable organizations, both for the music and by the music, that you could give to this Tuesday: Dear Jack Foundation The Dear Jack Foundation (DJF) was founded by Andrew McMahon of Andrew McMahon in the Wilderness. While on tour with his first band, Something Corporate, McMahon was diagnosed with Acute Lymphocytic Leukemia (ALL). After undergoing treatment, he resolved to ‘initiate change and provide a voice for the generations of young adults who have been diagnosed with cancer.” With the specific aim of helping adolescents and young adults (AYA), DJF aims to support organizations, ‘which recognize the unique challenges the AYA community faces, during and post-treatment.” The programs that have benefited from DJF include the UCLA stem cell transplant progr[...]
  • NYC Arts Non Profit Heads West in Support of Local Arts Programs Convergence: Saturday, November 14th, Studio Maesto, Santa Monica, CA. On Saturday, November 14th New York City based non-profit Art for Progress (AFP) will host a fundraiser in support of Studio Maesto’s Arts Collective Program in Santa Monica, California.  The event will take place at Studio Maesto’s dance and photography studio at 1547 6th Street, Santa Monica, and will feature visual art from three Los Angeles based artists who have exhibited with AFP in the past- Sona Mirzaei, Lichiban and Pablo Damas. The night will also showcase live performances from Barry Komitor (NYC based band Bad Faces), DJ sets from NYC’s Gatto, LA based DJ/Producer Elliot DeHoyos and a myriad of local performance artists. Net proceeds from ticket sales and a percentage of art sales will go to support the studios arts collective program (details below). Tickets ($15) will be available at the door. Tickets include a drink and light fare. Additional beverages will be available for purchase. Studio Maesto, 1547 6th Street, Santa Monica, CA - Hours: 7:30pm – 11:00pm Over the last 12 years, Art for Progress has produced over 50 major events in NYC, Miami, San Francisco and Washington DC. With a focus on multimedia productions, AFP has garnered valuable press coverage for artists in world renowned publications such as The New York Times, Women’s Wear Daily and The Village Voice.  While supporting and promoting artists through these[...]
  • Hosted by nonprofit Art for Progress and Brooklyn Fashion Week, the event will take place at Habana Outpost during Brooklyn Fashion Week on Friday, October 23rd from 7-11pm. The event will serve as a fundraiser for Denim Day, which serves to raise awareness of campus sexual assault worldwide. The $10 cover charge includes live DJ’s, a free margarita and a fashion show. We are asking all participants to wear denim jeans during the event to represent the Denim Day cause. AFP's DJ Gatto and Brett from Boundless will be dropping the beats!
  • I once had a friend ask me, "What exactly is graphic design?" The answer seemed pretty easy, as the name appears self-explanatory: design using graphics. But, truthfully, it was harder for me to get into the details of what exactly it is, even though it has been one of the most prolific and widely-used art forms in the modern era. And not unlike some other forms of modern art, there is the hackneyed response, "I could totally do that" while viewing graphic design that has been elevated to a higher status. In fact, I even heard it at the Cooper Hewitt's long-running installation How Posters Work. Amazing to hear that response, given the museum's breadth of information presented about not only about the history of the medium but also contemporary approaches to it. Furthermore, the beginning of the exhibit, before really immersing the viewer in the posters themselves, contains a section attempting to relay just how graphic designers see, and how it subsequently affects how we decipher messages from images, be they subversive or overt. For example, how designers use black space, how they visualize colors to lay over each other and blend, and the ways in which they see text aligned on a poster to result in certain reading patterns. That was particularly interesting as areas of posters are darkened except one swirl-type shape, and it notes that eyes begin at the thicker portion of the illuminated swirl, and move down to the thinner part across the page. Images are placed alo[...]
  • NURTUREArt's group show Sextant looks to our sense of reality and place as constructed from memory, history, and objects. While a serious subject, some works are able to retain playfulness, an example being Igor Ruf's video work The Cave (2015). The artist as actor recites the same lines over and over as he moves and dances around a cave space. Subtitles indicate that he is saying he has bananas and a guitar, among other basic necessities, and he doesn't need much else. We see Ruf repeating names and asserting his identity, and it's unbelievable in its goofiness. He touches on the ability objects have in shaping our memories and how those moments cumulatively form the perception we wish to have for ourselves, and for others to have of us, and he maintains a lightheartedness throughout.   Calum Craik has two pieces in the show that also examine, as he writes in an artist's statement, "a hazy memory, actual events, and experience." He is more interested in pop culture, however, as he feels that "everyday objects act as vehicles to question and imagine...documents, photographs, and raw materials act as a mechanism to reconsider truths, events, or invent new possibilities." This certainly rings true in Lesiure (2013). A space blanket, shiny and geological-looking, is situated across a small image of a California pool that lays flat on the floor. Above this image hangs a small bowling ball resembling the earth. This creates a shadow on the lower left corner of the p[...]
  • https://vimeo.com/124416402 As we arrive at the conclusion of another school year, Art for Progress arts ed programs are developing and evolving in new ways. The music program at Humanities Prep has been flourishing, and we recently held a student and faculty talent show, showcasing the wealth of talent that has been incubating within the school. Performances spanned a wide range of instrumentation and repertoire, and even included some original pieces and songs written by the performers. AFP's Young Adult Enrichment Program has now spawned three bands, which are now gigging around NYC. Statik Vosion, the core project of the program, also recently played alongside my own band, Bad Faces at the AFP live music series “We Deliver” at The Bowery Electric on Manhattan's storied Lower East Side. Other projects are in the works for the summer, including a recording project to produce an EP release for Statik Vision and a music enrichment program in partnership with the Upper West Side JCC which will provide music instruction for under-served elementary school students. I taught the classes last year and if was a blast! At Humanities Prep, in Chelsea, I have been teaching music to high school students for the past three years. Some of the talent that has been emerging from the program is truly unbelievable. I have seen a number of students who had never played an instrument before become capable, and even inspired players, while others have come to me with some experience and s[...]
  • https://www.youtube.com/watch?v=_UkrX_ikRUY Sunday, May 24th at The Bowery Electric Memorial Day Weekend we're kicking off the season properly with an incredible line-up of some of NYC's best bands, performers and DJ's on two levels. ROCK, FUNK, HIP HOP, ELECTRONICA, AMERICANA DOWNSTAIRS: Live Music: $9 Advance Tickets, $10 at the door XNY, Soul Khan, Blythe Sword, Bad Faces, Digital Diaspora, Statik Vision UPSTAIRS:  Live Music until 10pm, DJ's til late:  NO COVER MAP ROOM:  Graham Norwood and Amy Miles DJ's: Sameer & Gatto - 10pm til late Hosted by Art for Progress,  Doors: 7pm,  Music: 7:30pm