Category archives: Performance

  • "Our doubt is our passion, and our passion is our task." Henry James' words are apt in describing the art-making process, and how it can explore uncertainness through introspection. In the process, the artist and viewer enter into an intangible, unpractical, and highly emotional place that is ultimately the most passionate because it allows them to explore the more ambiguous realms of the self. This is exactly the intent and effect of "I DREAMT," New York performance artist Nicholas' Gorham's recent production. In it, he lip syncs sound bites by Delia Derbyshire, a leading British electronic musician from the 1960s. He was utterly fascinated by their evocative beauty, and knew he would eventually incorporate them into a performance. The sound recordings are different voices describing a nightmare of being chased, and Nicholas switches from one character to another in a matter of seconds. This is achieved by having light projections of different outfits cast onto his body, which is the sole illuminated presence in a darkened room. Coupled with the haunting repetition of phrases, such as "I'm running away...running, and running, and running" in each of the different voices, the result is dark, painful, but incredibly engrossing especially if you have ever had nightmares. He plans to take this the exploration of the subconscious further in his upcoming Christmas theater production, also focusing on time, space, identity, and superficiality but with a stronger social co[...]
  • To celebrate the release of their first release on Fueled by Ramen Records, The Front Bottoms played Brooklyn’s Rough Trade. Entry to the show was granted with purchase of the album, Back On Top, and came with a signing after the show. The formula is one Rough Trade is a) known for and b) built for. The combined record store/concert space has the stage in the back and the floor space within the shop itself to accommodate both events. Before the show fans, most of whom were hugging a recently purchased vinyl of Back On Top, lined up along the wall of the store, chattering excitedly about the record. It was a fairly young crowd, some members bragging about how they had cut class to line up early. The guy handing out 21+ wristbands didn’t have much to do. Despite the age difference, one thing was clear. Everyone was there for the band. Not that only die hards are capable of showing up to an early show on a weekday evening. Everyone is and was welcome. It wasn’t the show that collected passersby or casual listeners. Partially because Rough Trade is tucked somewhat away from the rest of Williamsburg and partially because the nature of the show attracted the more “serious” fans. The majority of the crowd accumulating in Rough Trade really, really liked the band. That’s why they showed to the concert/signing, not just the band’s gig later in the month at Irving Plaza. In fact, many talked about going to both shows. Some even buzzed about seeing the band earlier in the summ[...]
  • The AFP crew was inspired and motivated for the road trip up to the great city of Montreal. By the time the Greenpoint (Haven) rooftop event was in the books, it was late Sunday afternoon and Friday morning gave us just enough time to rest up for the 3 day festival.  We mapped out the car ride and the artist performance schedule.  Our Day 1 (Friday) plan was to arrive at Parc Jean-Drapeau by 3:30pm to see Run the Jewels.  After a couple of snags we arrived a little later,  but we did make it on time to see one of our more anticipated performances- The Kills. Sadly, the band had some technical issues on stage, but despite their frustrations they rocked on and ended with a killer rendition of No Wow.  Thirsty from the ride, we found ourselves guzzling Molson's at a rather rapid pace as we strolled over to see Chet Faker on an adjacent stage.  He quickly went into his popular hits like Gold and 1998 with the electric soul vibe that we have been digging.  It was obvious that many festival goers were excited to see the Australian perform, and he didn't disappoint. As we made our way to the main stages (Riviere and Montagne), some of the original sculptures and art installations caught our attention. By the way, Osheaga is not just a music festival, but also an arts festival (heavy on the music).  Some of the work was highly creative (images below) and seriously involved. The participating artists for 2015 were Station 16 Gallery, animators from the NFB, graduates of UQÀM’s D[...]
  • https://vimeo.com/124416402 As we arrive at the conclusion of another school year, Art for Progress arts ed programs are developing and evolving in new ways. The music program at Humanities Prep has been flourishing, and we recently held a student and faculty talent show, showcasing the wealth of talent that has been incubating within the school. Performances spanned a wide range of instrumentation and repertoire, and even included some original pieces and songs written by the performers. AFP's Young Adult Enrichment Program has now spawned three bands, which are now gigging around NYC. Statik Vosion, the core project of the program, also recently played alongside my own band, Bad Faces at the AFP live music series “We Deliver” at The Bowery Electric on Manhattan's storied Lower East Side. Other projects are in the works for the summer, including a recording project to produce an EP release for Statik Vision and a music enrichment program in partnership with the Upper West Side JCC which will provide music instruction for under-served elementary school students. I taught the classes last year and if was a blast! At Humanities Prep, in Chelsea, I have been teaching music to high school students for the past three years. Some of the talent that has been emerging from the program is truly unbelievable. I have seen a number of students who had never played an instrument before become capable, and even inspired players, while others have come to me with some experience and s[...]
  • Known as the Super Bowl of Drag, RuPaul's Drag Race, now in its 7th season, will announce this year's winner tonight on LOGO-TV! I'm so excited, and I just can't hide it! Image Credit: Mathu Andersen/LOGO Full disclosure: It's one of my all-time favorite program, and I totally believe it is one of the best shows on TV. And what's wonderful is that I'm not the only one. RuPaul's Drag Race's fans span all social backgrounds and sexual orientations! Sure this year's edition hasn't been the most outstanding season, with mostly lackluster "Lip Syncs For Your Life." it's still great to see the evolution of all of queens, especially the finalists Ginger Minj, Pearl and Violet Chachki. Getty Images for LOGO Here are three fabulous fashion moments as shared to me by Blog Founder, Social Media Strategist Nichelle Stephens, and fellow fan. Like me, she's not quite sure who she's rooting for: "I can't decide but I think I am #TeamViolet," she says. Ginger Minj After last season's Ben de La Creme and Darienne Lake, Ginger Minj seemed like a weak mash-up of the two.  However as the season progressed, you can see that Ginger has Southern charm with campy sensibilities and style. Jason Kempin, Getty Images for Logo TV The best look for her was runway look on the penultimate episode.  The white gown was gorgeous; her makeup was glamorous with being too much and her wig was teased up into a perfect crown.  LOGO-TV Violet Chachki Violet Chachki is waist traini[...]
  • https://www.youtube.com/watch?v=_UkrX_ikRUY Sunday, May 24th at The Bowery Electric Memorial Day Weekend we're kicking off the season properly with an incredible line-up of some of NYC's best bands, performers and DJ's on two levels. ROCK, FUNK, HIP HOP, ELECTRONICA, AMERICANA DOWNSTAIRS: Live Music: $9 Advance Tickets, $10 at the door XNY, Soul Khan, Blythe Sword, Bad Faces, Digital Diaspora, Statik Vision UPSTAIRS:  Live Music until 10pm, DJ's til late:  NO COVER MAP ROOM:  Graham Norwood and Amy Miles DJ's: Sameer & Gatto - 10pm til late Hosted by Art for Progress,  Doors: 7pm,  Music: 7:30pm
  • Barcelona-born Brooklynite, pianist Eva Novoa  has produced two cds, her debut Trio (with Masa Kamaguchi on bass and Marc Lohr on drums), and Quartet (with Ernesto Aurignac on alto saxophone, Masa Kamaguchi on bass and André Sumelius on drums), both released on the label Fresh Sound New Talent. Before moving to Brooklyn, she lived many years The Hague, Netherlands, studying, and eventually teaching at Koninklijk Conservatorium.   It was in Holland, that she not only learned Dutch curse words,  she also how to live in shitty weather: "It's much worse than New York. It may rain 6 days out of 7, she says while chatting in her kitchen, over espresso and Spanish shortbread cookies. "Wherever you go, you're soaked, shoes are dripping water." Find out about her beloved fashion accessories after the jump, and learn more about this gifted musician at EvaNovoa.com. Jacqueline Colette Prosper, @yummicoco   Floral Infinity Scarf I found this floral scarf on my way to work at a musical theatre in Holland. In a country where there's so much wind, and you're on your bike, your scarf eventually flies away. So you just do this [EVA MAKES A DOUBLE LOOP WITH THE CLOSED-LOOPED FABRIC], and you don't lose it. It's really warm! In Holland, you always have to wear a scarf. even in the summer. The weather sucks, and you have to wear something [warm], or else you'll get sick.    Vintage Little Black Dress From Grandma For the anniversary of the mus[...]
  • NYC non-profit Art for Progress hosts this special event Wednesday, April 22nd at The Bowery Electric to celebrate Earth Day and to raise awareness. The night will feature an outstanding line up of artists with local pop rockers Wyland headlining the night. The amazing Blythe Gruda will open the show and feature some very special guests followed by a one woman psychedelic rock performance from Brooklyn's Idgy Dean. Indie rockers Polyvox will close out the night with a set of synth driven beats. Tickets are $10 and include the chance to win amazing door prizes from Gibson Guitars and tickets to The Museum of Natural History.
  • The greatest reward a teacher can receive from his students is that they exceed his expectations and do work that is inspired, inspiring, and truly reverses the student/teacher dynamic by teaching the teacher something new. I am exceptionally fortunate to have had that experience many times over as a teaching artist for Art for Progress. Two examples that stand out in my mind are: the band Statik Vision and Humanities Prep junior and chanteuse April T. The members of Statik Vision have been studying with me for almost four years, beginning while I was at Bronxdale High in the Bronx. When I left Bronxdale and came to Humanities Prep in Chelsea, it was important to me and to AFP to continue to provide opportunities for learning to former AFP program participants who wanted to further develop their musical education. Jason McFarlane and Ramond Moreta were students in the same building as Bronxdale (Christopher Columbus HS Campus) who gravitated to the Bronxdale after school program when principal John Chase asked that the program be made open to the entire campus. Upon setting up shop at Humanities Prep the following year, I invited them and a number of other former AFP students to make the trek to Manhattan to attend sessions after-after school. They began to come regularly, and to bring friends who were both talented and eager to learn, and formed a band, T-10. I helped coach the band’s rehearsals, while also allotting time to give lessons in guitar and bass technique, jazz[...]
  • Art for Progress is proud to announce their upcoming production of Much Ado About Nothing. One of Shakespeare's most beloved comedies, Much Ado also takes a complex look at love, relationships and searching for "self," This production will use the classic language of Shakespeare in a modern setting - demonstrating the relevance of the writer's work in present day. This incredible show will also feature some of NYC's finest actors, comedians and public servants all on stage for a good cause. After production costs - all profits will go to Art for Progress's Education Program - helping young people tap into their artistic abilities. We hope you can contribute towards this important work and look forward to seeing you at the show. We need your support to present 'Much Ado About Nothing'! Your donation will go to: •Theater rental •Our musicians •Rehearsal space and rehearsal pianist •Publicity To thank you for your support we have the following perks: •VIP tickets to the show •Signed programs and posters from our cast and crew •An invitation to our wrap party •A private concert in your home •And much more! Any funds we receive will go towards paying our production costs. Any additional funds past our goal plus all tickets sales will go directly to Art for Progress in support of their educational programming. Please help us spread the word about our fundraising campaign, Arts for Progress: Much Ado About Nothing, and our upcoming performances! •Share our[...]
  • I recently had the distinct pleasure of compiling an oral history of the seminal underground New York club Better Days, a ’70s and ’80s contemporary of spots like the Paradise Garage—though Better Days was much smaller and, possibly because of that, less lauded. (You can read that piece in full here, on the Red Bull Music Academy website.) One of the main interviewees for the article was Bruce Forest, an iconic DJ (and later, prolific producer) who was on the Better Days decks throughout most of the ’80s. (In the ’70s, the late, great Tee Scott ran the show.) Forest has a great memory and is a fantastic teller of tales—but, for reasons of space and clarity, some of his best stories had to be omitted from the history. So we figured, why not share a couple of his best ones here? Loleatta Holloway This story concerns how the inimitable disco diva Loleatta Holloway’s between-song patter became one of the most ubiquitous samples in dance music history. It was all Forest’s (accidental) fault. Bruce Forest: “It was not easy to have live performances there. It was a very, very hard room to do live sound in; it was a round room with tons of bass. But we would do it sometimes anyway. Jocelyn Brown probably performed there seven or eight times. And there was Lolleata Holloway. She was one nasty woman when she wanted to be. And she was big; she could have easily kicked the shit out of me. Anyway, when she performs, she does five or six songs, but in between the songs, s[...]