Category archives: Art for Progress
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Enter Ziggy Stardust.
Bowie’s beloved persona began with the release of 1972’s The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Stardust starred as the record’s fictional alien rock star who arrived on Earth just as it received the news that the world would end in five years. In the album’s opening track, which is aptly titled “Five Years”, Stardust laments about the planet’s fate while walking amongst it’s doomed species. He resembled them in shape, but is extreme in all other aspects. He had wild hair, outlandish outfits, and an overall zeal that made him an eccentric, especially compared to the cop, soldier, priest, mother and newscaster that populate the rest of the song.
In a 1974 interview with “Beat Godfather” William S. Burroughs, Bowie described the scene:
...It has been announced that the world will end because of lack of natural resources. [The album was released three years ago.] Ziggy is in a position where all the kids have access to things that they thought they wanted. The older people have lost all touch with reality and the kids are left on their own to plunder anything. Ziggy was in a rock & roll band and the kids no longer want rock & roll. There's no electricity to play it. Ziggy's adviser tells him to collect news and sing it, 'cause there is no news. So Ziggy does this and there is terrible news. "All the Young Dudes" is a song about this news. It is no hymn to the youth as people thought. It is completely the opposite[...]
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8 years ago
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Romania's official 2016 Academy Awards entry for Best Foreign Language Film, Aferim! is an unconventional and beautifully shot black-and-white movie that is both reminiscent of an American Western and exotic in its depiction of a bygone (and perhaps not so bygone) foreign culture. The episodic tale, which takes place in 1835 Wallachia (a region in Romania), follows a lawman and his son as they traverse a desolate landscape in search of an escaped gypsy slave.
Directed by Radu Jude and co-written by novelist Florin Lazarescu, Aferim! (which means “Bravo!”) is based on actual accounts of gypsy slavery. Though often comedic (the dialogue is full of crudely funny banter), it serves as a semi-historical commentary on Romania’s anti-Roma sentiment, which is still very much in evidence today. It also starkly depicts the ridiculous prejudices that people of one nationality or religion have for others, in addition to other forms of bigotry.
Constable Costandin (Teodor Corban) and his teenage son Ionitā (Mihai Comānoiu) first come upon an abbey on their travels, where they cross themselves and light candles like good Catholics, though Costandin has already cruelly berated an old woman and threatened a bunch of local gypsies. He’s a scrappy, equal-opportunity offender, who hurls insults at almost everyone he comes across – especially poor “crows” (gypsies) – or denigrates them behind their backs. In contrast, Ionitā is more reserved and thoughtful. The two carry a ma[...]
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8 years ago
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David Bowie was a musician of almost immeasurable influence. His last name echoes amongst the likes of Fitzgerald, Lennon, Presley, Ramone, Nicks and Cobain as one of the people responsible for music today. For almost half a century, he graced genre after genre with his albums, exploring each with an obsessive eye. From folk rock to krautrock-laced funk to art rock and experimental, there seemed to be no undertaking that Bowie couldn’t master. He fathered sub-genres and inspired others to do the same.
He became known not only for his songs, which climbed the charts like English ivy, but also his oddities. His hair, his face paint, his outlandish outfits. During the era of Ziggy Stardust from his station in glam rock, he made being an outsider ‘in’. He challenged gender norms, racism, politics, and a whole manner of preconceived notions of how music was supposed to be. He was an idol, a style icon, a pop star, the star of your favorite childhood movie and in his final effort he was a blackstar.
Bowie’s final album Blackstar was released on January 8th, coinciding with his 69th birthday. The record is a short, emotional, and strange departure from the various forms of pop that Bowie is best known for, but fittingly so. Bowie was never going to be predictable. Two days after the album’s release, the seemingly immortal Bowie died after a long battle with cancer. Blackstar then took on its intended meaning. It was his swan song. With every subsequent listen it seemed increas[...]
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8 years ago
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David Bowie was an incredible genius that has been a massive influence on the fashion world from ready-to-wear to high couture, trailblazing trends for both men and women alike.
Since news of David Bowie's tragic death on Sunday, January 10 hit the internet the following Monday, a deluge of mournful tributes on sites like Twitter and Facebook have brought back to attention many of his gender-fluid, enigmatic looks throughout the music legend's career, which span six decades.
His constant sartorial evolutions have left indelible mark on fashion, as evident in the multitude of status updates, images, and video, paying homage to Bowie.
Bowie as Ziggy Stardust. Photo Credit: Ilpo Musto / Rex Features
From Jean-Paul Gaultier's 2013 "Rock Stars" collection to Haider Ackermann's latest Spring 2016 line, it's no doubt that Bowie's influence still impacts fashion these days.
On Monday, Gaultier told The Associated Press, "personally, he inspired me by his creativity, his extravagance, his sense of fashion that he was constantly reinventing, by his allure, his elegance and his androgyny."
Below: 1) Jean-Paul Gaultier spring 2013, 2) Haider Ackermann spring 2016, and 3) Dries Van Noten men’s fall 2011 collections.
Photo Credit Jacques Brinon/Associated Press, Valerio Mezzanotti/Nowfashion, Francois Guillot/Agence France-Presse — Getty Images
To Karl Lagerfeld, Bowie was "a great artist, and a timeless icon...who will remain a reference."
And on Tue[...]
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8 years ago
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Based on the novel by Bonnie Nadzam, Lamb is an unsettling drama about the relationship between an unmoored middle-aged man and a precocious young girl. The movie, starring and directed by Ross Partridge, consists mainly of a road trip, fraught with the self-centered needs of its protagonist and set against the beautiful backdrop of the duo’s natural surroundings (Wyoming and Colorado).
When we first meet David Lamb (Partridge), he’s denying the fact that his wife has left him to his ailing, alcoholic father, who knows better; David also lies about his wife’s desertion to co-worker Linny (Jess Weixler), with whom he is having an affair. Despite his good looks and laid-back outward demeanor, David is obviously a guy with issues.
Some time later, he is smoking in a parking lot after his father’s funeral, when 11-year-old Tommie (a terrific Oona Laurence) saunters up and asks for a cigarette, a dare set up by her friends. David’s reaction – he not only gives her one, but lights it – is the just the first of many disturbing moments in this film and in their relationship. He pretends to kidnap Tommie to scare her friends, but actually drives her home, and lectures her about approaching him: “I’m not a bad guy, but I could have been.” (He introduces himself as “Gary,” one of many lies he tells to various people he knows or encounters.)
This sets the tone for the rest of the film, showing both David’s concern for Tommie and his disconcertingly inappropriate behavior[...]
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8 years ago
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If each new calendar year brought forth a new style trend that mirrored the Spice Girls, 2016 would be known as the Year of Sporty Spice. Right now, athleisure is as popular and ubiquitous as Park Slope or Santa Monica moms pushing UppaBaby strollers—and with booming sales, chic, dressed-up exercise clothing are finally more affordable too.
"Stores like H&M, Forever 21, and Aritzia, are offering up a selection of goods that aren't just cute but, mostly at under $50, won't break your bank, either," writes Ray Lowe of Refinery 29.
Here are three simple facts you need to know about this fabulously casual fashion trend.
Activewear Is Not Going Anywhere
Don't count on this bubble bursting in 2016!
In October 2015, Morgan Stanley ventured to estimate that activewear will reach up to $83 billion in sales by 2020.
Athleisure sales stretched out to $36 million in 2013. In 2014, activewear accounted for 16 percent of the total apparel market, according to research firm NPD Group. And in 2014, Nike expected to add $2 billion dollars to sales by 2017.
Photo Credit: Nike
Clearly, activewear is going for the win. High-end names like Sweaty Betty, Outdoor Voices, Vimmia, and Aday, are now competing with fast-fashion staples like H&M for shoppers' hearts.
And over the years, luxury companies like Tory Burch, Trina Turk, Stella McCartney, and Mara Hoffman have rushed to jump into the current craze.
Below: Image from January 2016 limited-edition, 21-piece[...]
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8 years ago
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As the year winds down and we’re suffused with holiday cheer (and perhaps making donations to our favorite causes), it’s a good time for film fans to take a look at some movies that need help getting made, ones we might not necessarily hear about otherwise.
For many a low-budget indie filmmaker, Kickstarter, Indiegogo and other crowdfunding sites have become the way to get it done – or at least try to get it done. (Actually, some not-so-low budget films, including Zack Braff’s Wish I Was Here and Spike Lee’s Da Sweet Blood of Jesus, were both made with money – $3.1 million and $1.4 million, respectively – raised via Kickstarter, but those are exceptions.) Offering potential backers several donation tiers that pay back perks ranging from a thank-you postcard and link to the finished product to set visits and a night out with the cast and crew, these campaigns are not only a way for films to get made, but for fans to become a part of something cool and exciting.
There are many worthwhile films seeking funds on a variety of crowdsourcing platforms (over 600 film and video projects on Kickstarter alone). Here is just a sampling of interesting-looking projects on Kickstarter and Indiegogo, several of them based right here in New York City, with campaigns that are currently open. The list includes both documentary and narrative films in various stages of production, from pre- to post. They range from fairly sophisticated endeavors with principals who have significant industry[...]
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8 years ago
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‘Tis the time of year for the radio stations to play Mariah Carey's cover of “All I Want For Christmas” (the “Extra Festive” version) on repeat. It’s a great song and it sure is festive, but after hearing it twenty or so times over the span of only a few hours it starts to wear down the holiday spirit. It doesn’t help that there are only a few dozen other really popular holiday songs played during December: Brenda Lee's “Rockin' Around the Christmas Tree”, Nat King Cole's “The Christmas Song (Merry Christmas To You)”, Jose Feliciano's “Feliz Navidad”, Dean Martin's “Let It Snow, Let It Snow, Let It Snow”, Bing Crosby's “White Christmas”, that one song about shoes. Again, all great tunes, but they're hard to hear on repeat for an entire month. Especially when most of us are either coped up with relatives, stuck in holiday traffic or desperately trying to find the last toy lightsaber sold in the state...or trying to justify sneaking off to see Star Wars... again.
Instead of sitting through TSwift's "Last Christmas" one more time, listen to some other covers and holiday/Christmas songs that get less airtime. From groups like The Killers that annually put out their own holiday tune to bands like Weezer that cover classics, here are twelve songs to get you through to the New Year. Enjoy!
1. "Christmas Night Of The Living Dead" by MXPX
2. "Deadbeat Holiday" by Green Day
3. "Last Christmas" by Jimmy Eat World
4. "The Season's Upon Us" by Dropkick Murphys
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8 years ago
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Véronique Hyland of New York Magazine reported on Council of Fashion Designers of America's (CFDA) efforts to "revolutionize Fashion Week."
Vivien Killilea/Getty Images for NYFW
A major possible change to the twice-yearly showcase includes transforming Fashion Week into a consumer-driven event, instead of an industry one. And the redesigned series would "show in-season merchandise to the public."
This is a huge move because designers typically showcase collections for following seasons, amid rabid fanfare and exclusive pageantry. And, in turn, these fashion showcases would influence fast-fashion looks, clandestinely sold at stores like H&M and Zara, that surface sometime later in the future.
Frazer Harrison/Getty Images for Mercedes-Benz Fashion Week
However, this method is thought to be a great way to spur "buy now, wear now" opportunities for the public. The re-formmated showcases would require designers to host "smaller showroom presentations and appointments with retailers and press," presenting designs six months out for possible purchasing purposes. Then, designers would produce large-scale runway shows for a consumer audience, WWD reports.
CFDA Chairman Diane von Furstenberg tells WWD “ I have a feeling people will be showing what’s available closer to what’s in store. I don’t have all the answers." However, the general goal is to boost "full-price selling" of clothing.
This week, designer Rebecca Minkoff announced a big step—a Spring 2016 col[...]
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8 years ago
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"Our doubt is our passion, and our passion is our task." Henry James' words are apt in describing the art-making process, and how it can explore uncertainness through introspection. In the process, the artist and viewer enter into an intangible, unpractical, and highly emotional place that is ultimately the most passionate because it allows them to explore the more ambiguous realms of the self.
This is exactly the intent and effect of "I DREAMT," New York performance artist Nicholas' Gorham's recent production. In it, he lip syncs sound bites by Delia Derbyshire, a leading British electronic musician from the 1960s. He was utterly fascinated by their evocative beauty, and knew he would eventually incorporate them into a performance. The sound recordings are different voices describing a nightmare of being chased, and Nicholas switches from one character to another in a matter of seconds. This is achieved by having light projections of different outfits cast onto his body, which is the sole illuminated presence in a darkened room. Coupled with the haunting repetition of phrases, such as "I'm running away...running, and running, and running" in each of the different voices, the result is dark, painful, but incredibly engrossing especially if you have ever had nightmares.
He plans to take this the exploration of the subconscious further in his upcoming Christmas theater production, also focusing on time, space, identity, and superficiality but with a stronger social co[...]
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8 years ago
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“If it doesn’t inspire you in some way, I failed as a filmmaker,” says Richard “R.G.” Miller, the subject of Justin Johnson’s new documentary Double Digits: The Story of a Neighborhood Movie Star. Of course the same can be said of Johnson’s homage to Miller, a prolific, super low-budget auteur who makes movies for the sheer love of it. Against many odds, Miller has succeeded in not only pursuing his passion, but getting many other people enthused and involved in the process. Double Digits celebrates the fact that while some may may aim for mega fame and fortune, those with extremely modest means and realistic ambitions should not be discounted as artists, and in fact, may be truer to their art.
We’re introduced to 52-year-old Miller at his Wichita, Kansas apartment -- which doubles as his studio -- and learn that his one-man production company RG Internet Art Films has released several half-hour to hour-long features on Miller’s Youtube channel. "Thank God for the Internet,” he chuckles, not attempting to create a viral sensation with his compelling, delightfully lo-fi movies. “If I get double digits [more than nine "likes"], I’m successful.”
Double Digits, which was shot over the course of three years, shows the making of Miller's newest effort, The Mask Man, shot in his apartment and on his side lot, as are all of his films. His painstaking DIY efforts include miniature stand-ins (dolls), homemade costumes and masks, and various household items that have been[...]
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8 years ago
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Tommy Siegel is best known as the guitarist of either piano band Jukebox the Ghost or noise rock group Drunken Sufis. The two bands exist on fairly opposite ends of the genre spectrum, with one brimming with gentle introspection and optimism while the other stopping its feet and howling against the government. Siegel has pooled elements of both projects, like the political-savvy of the Sufis and the humor of a younger Jukebox, to fuel his newest act: Narc Twain.
A dystopian punk band, the group was born from of all things a book of poetry. The symbiotic nature of Brooklyn is perhaps to thank for Siegel’s chance encounter with the book. He found Jeremy Schmall & Cult of Comfort by Jeremy Schmall in the recycling bin of his apartment building last year. The 99-page collection is brief, with fifty or so poems channeling anxiety, paranoia, pain, discomfort, understanding, introspection, hunger and hitting on a myriad of other emotions that the reader didn’t necessarily see coming. The poems twist and hairpin turn in a way that would make all MFA students smile and all passer-bys wonder what exactly did they pick up out of the recycling. The commentary on capitalism and cynicism struck a chord with Siegel. He wrote Schmall, whose email was hidden in plain sight in a poem in Cult of Comfort, eventually sending him music. And thus Schmall inspired what would eventually become the six song EP that is Narc Twain.
The band released the debut EP last week, playing a show in c[...]
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