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  • A Candy-colored World of Side Effects

  • 7 years ago
  • Tina La Porta opens her first solo exhibition, Side Effects in South Florida on September 29th in the FAR Gallery at FATVillage Projects. The presentation is a candid oeuvre on La Porta's encounter with mental illness and her skilled approach to creating a pharmaceutical, candy-like frenzy to the viewer's eye and psyche. Far Gallery is a long corridor of two walls facing North and South to the main entrance, making the task for any curator or artist challenging to organize works within the space without it becoming predictable. Nonetheless, La Porta and curators Vee Carallo and Leah Brown strategized the area by assembling the wall sculptures in a non-linear format, concentrating on colors, geometric designs within the works and by the story of each prescription pill. Although La Porta is open about her way of life and how her functionality depends on the suppression her pills provide, she also comments in Indian Summer (2003) on the comfortable accessibility people have to order any prescription online. With its deceiving romantic shades of pink and old rose, Indian Summer 2003 exudes an ill feeling to a morning-after pill, direct from India without any proper instructions or what damaging side effects one is to expect from it. From La Porta's grueling process to crush each pill, comes the construction of a larger disk or shape resembling a small tablet filled with an array of smaller capsules sprinkled in vibrant colors and delicious enough to want to bite. The scu[...]

  • Shakespeare Production to Raise Funds for Arts Education

  • 9 years ago
  • Modern Rendition of Cymbeline to Premier this April at NYC’s Historic Theatre 80 St. Marks Director/Producer Alexis Confer and Art for Progress Founder Frank Jackson are proud to announce their upcoming production of Cymbeline at Theatre 80 St. Marks this spring. This production will use the classic language of Shakespeare, but approach the Bard’s “fairytale” with a modern lens. The audience will be transported to a world floating between the blurred morality and frenetic energy of a Vegas-like kingdom and the stark, colorful beauty of the American Southwest. In order to bring a fresh, nuanced and uniquely comedic performance to the stage, the company is intentionally made up a variety of performance backgrounds from musicians to stand up comedians, from classically trained Shakespearean actors, to improvisers. Led by Confer’s direction, the tight-knit cast has done several Shakespearean shows together in 2015-2016 - Twelfth Night and A Midsummer Night’s Dream produced by OFFLINE Productions and Much Ado About Nothing produced by Art for Progress. Most importantly, the goal of the show is to create a great live performance experience while raising awareness and funds for arts education. All profits from the show will go to Art for Progress’s programs for children and young adults - helping to empower NYC’s young artists. Art for Progress’ Arts Education Community provides under-served youth with dynamic artistic programming that promotes reflection and self-expres[...]

  • Eerie Banality

  • 10 years ago
  • There was once a professor who consistently lamented people not spending time with a work of art. She felt that consuming art became speedy, mediums were not fully appreciated in their details, and therefore a lot of great artwork may never get proper recognition. It's safe to say this is true for many people, and even those like myself who studied art have definitely overlooked pieces due to the extreme saturation of available art to see, especially in a metropolis like New York City (though it is something I greatly try to avoid while in a space.) I was stuck in front of Scott Williams' painting 50th Street Maspeth this past weekend, due to the intimate space at Art101 being packed with people, but I'm glad I was. His work first appears like an impressionistic modern landscape - a view of the street, cars parked, sunny day, fence to the side - but the more I stared at it the more odd I found it. I noticed his use of perspective is based on traditional one-point perspective yet it is shifted off to the side thereby disrupting the everyday banality of this type of setting. Furthermore, his use of oil paint appears both deliberate, in regards to shadowing and color, and accidental in regards to the application of paint itself. This imbues the scene with a sense of randomness and further complicates it. He writes of his "chance" paintings - "For on site, 'plein air painting', a map of Queens and Brooklyn was marked with gridded coordinates. Throwing numbered and lettered coi[...]

  • Another Great Year For AFP Arts Ed Programs

  • 11 years ago
  • https://vimeo.com/124416402 As we arrive at the conclusion of another school year, Art for Progress arts ed programs are developing and evolving in new ways. The music program at Humanities Prep has been flourishing, and we recently held a student and faculty talent show, showcasing the wealth of talent that has been incubating within the school. Performances spanned a wide range of instrumentation and repertoire, and even included some original pieces and songs written by the performers. AFP's Young Adult Enrichment Program has now spawned three bands, which are now gigging around NYC. Statik Vosion, the core project of the program, also recently played alongside my own band, Bad Faces at the AFP live music series “We Deliver” at The Bowery Electric on Manhattan's storied Lower East Side. Other projects are in the works for the summer, including a recording project to produce an EP release for Statik Vision and a music enrichment program in partnership with the Upper West Side JCC which will provide music instruction for under-served elementary school students. I taught the classes last year and if was a blast! At Humanities Prep, in Chelsea, I have been teaching music to high school students for the past three years. Some of the talent that has been emerging from the program is truly unbelievable. I have seen a number of students who had never played an instrument before become capable, and even inspired players, while others have come to me with some experience and s[...]

  • Haven: A Summer Retreat for Artists and Friends

  • 11 years ago
  • Haven: Saturday, July 25th at The Mothership, Brooklyn- 7pm - 1am It's summer and it's time to celebrate with great music and art!  AFP is co-hosting this rooftop soiree with our good pals over at NOoSPHERE Arts. Barry Komitor's (AFP's Art Education Manager) band Bad Faces is set to perform with solo music performances from Lesley Kernochan and Charles Davi.  Also, AFP's Executive Director Frank Jackson (aka DJ Gatto) is breaking out some select choices from his vast vinyl collection, and longtime friend DJ/Producer SR SERGE will be spinning a late set for your dancing pleasure.  To add to the flavor, we have AFP artists Daniel Maldonado (Gashouse Films) and Jeanne Wilkinson creating video installations, while Cat Del Buono will present her "Beauty Box" installation. Last but not least, the very talented performance artist Duckie L'Orange will intrigue us with her creativity. Check out the invite below, grab a six pack or a bottle of wine and let's celebrate!!

  • Gallery Hopping in Chelsea

  • 11 years ago
  • It was a cold Saturday afternoon, but I was motivated to trek over to Chelsea to check out the Kitchen Girls & Toy Boys show at Rush Arts Gallery.  Artists Sindy Butz and Sol Kjok are participating artists in the show and have both worked with AFP on various projects. It didn't take long for me to identify Sol's very large piece, "Strings Attached" as I walked into the gallery.  Her figurative work bursts off the canvas with great detail and her use of color brings out the emotion in her characters.  In this piece the characters are strung together and appear to be grasping and climbing over each other while still maintaining a certain co-dependence. I was impressed with the overall quality and diversity of the work in the show.  The work of Reinhold Gottwald caught my attention. His colorful, small, abstract pieces on wood are hung/arranged as if they are a group of  planets sharing the same solar system. I found Markus Fiedler's beeswax sneakers quite intriguing and an interesting piece(s) to be included in the show. I was impressed with the incredible detail he was able to achieve using beeswax. I noticed Sindy crouched down on the floor, but I didn't realize that her performance had already begun. What is she up to this time? Sindy's not afraid to take on the not so obvious social issues of the day. Her thought provoking work continues to evolve and this performance would not disappoint.  The message on the floor read, "The West Tastes like Gold." As Sind[...]