Tags archives: DOC NYC

  • This may be the craziest, most emotionally disruptive fall in recent history, but the annual DOC NYC film festival is right on schedule. Like many other events these days, the country’s largest all-documentary fest, now in its 11th year, is completely virtual, making it available nationwide for the first time. Running online from November 11 through 19, and accessible to viewers across the U.S., this year’s edition includes 107 feature-length documentaries among over 200 films and dozens of events. There’s an emphasis on diversity with 57 features (53% of the lineup) directed or co-directed by women and 36 by Black, indigenous and people of color (34% of the feature program). As always, there’s a lot of docs to choose from, many of which are world or U.S. premieres. Aside from the films themselves, there will be conversations with filmmakers taking place daily in “DOC NYC Live” events, and pre-recorded filmmaker Q&As after film screenings. Among the festival’s many worthy entries: Duty Free, directed by Sian-Pierre Regis (making his feature debut), a film about Rebecca Danigelis, Regis’s 70-something mother, who is fired from her hotel housekeeping job. When she is unable to land another position, her son raises money through Kickstarter to fund Rebecca’s bucket list, which includes desires both humble (milk a cow) and expansive (a visit to England to her sister’s grave and reunite with the daughter she gave up). Many themes are woven throughout, in[...]
  • The 10th Anniversary edition of DOC NYC – America’s largest documentary festival – takes place from November 6 through 15. Among the 300+ films and events are 28 World Premieres, 27 U.S. Premieres, and 59 NYC Premieres. More than 500 doc makers and special guests will be on hand to present their films or participate on panels. This year’s festival is dedicated to the memory of D.A. Pennebaker (Don’t Look Back, Monterrey Pop), a DOC NYC fixture who died this past summer. As always, there is a multitude of worthy films from all over the world, in myriad styles, about almost every conceivable subject. Individual portraits include the founder of the World Toilet Organization (Lily Zepeda's Mr. Toilet: The World’s #2 Man); an innovative and iconic punk performer (Beth B's Lydia Lynch: The War Is Never Over), and a revered Abstract Expressionist painter (Dennis Scholl's Lifeline: Clyfford Still), plus many others. Among this year's offerings are docs sure to make you seethe (Matthew O'Connor & Barnaby O’Connor’s The Pickup Game, about the billion-dollar industry fueling the "art" of picking up women, and Deia Schlossberg’s environmental expose The Story of Plastic); docs that will crack you up (Weijun Chen's comedic City Dream, about a Chinese street vendor who clashes with authorities); and docs that will make certain people wildly nostalgic (Scott Crawford's Boy Howdy! The Story of Creem Magazine).  Here are just a few more highlights: About LoveArchana Atul [...]
  • Now in its 9th edition, DOC NYC—America’s largest documentary film festival—runs from November 8 through 15. More than 300 films and events are included in a variety of categories, including American Perspectives, Behind the Scenes, Fight the Power, International Perspectives, Portraits, Jock Docs, Modern Family, Science Nonfiction, Sonic Cinema, and True Love. In most cases, filmmakers (and often their subjects) will be on hand to answer questions, post-screening. Awards will be given in several sections, including an overall Audience Award. The gamut of films this year includes epic portrait Beyond the Bolex, Alyssa Bolsey’s doc about her great-grandfather, the groundbreaking movie camera inventor Jacques Bolsey; Afterward, in which Jerusalem-born director and  trauma expert Ofra Bloch visits victims and victimizers in Germany, Israel and Palestine; Lindsey Cordero & Armando Croda’s timely I’m Leaving Now, about an undocumented worker in Brooklyn facing a difficult crossroads; and We Are Not Done Yet, a short directed by Sareen Hairabedian and produced by actor Jeffrey Wright, about U.S. veterans combating their traumatic military histories through art, poetry and performance. A few more highlights: Dennis and Lois A doc by Chris Cassidy that will resonate with music fans, Dennis and Lois is a portrait of a 60-something couple who have been music superfans for over 40 years. The Brooklyn-based duo, together since 1975, live in a house stuffed with band mem[...]
  • It’s a great time of year for New York's documentary lovers, as the nation’s largest nonfiction film festival comes to town. The eighth edition of DOC NYC runs November 9 –16 with screenings and panels taking place at the IFC Center, SVA Theater and Cinepolis Chelsea. Among the fest’s 250 films and events are 11 feature-length works, from already released films such as Agnès Varda’s acclaimed Faces, Places to films making their world premieres, including Sam Pollard’s Maynard, a portrait of Atlanta’s first black mayor, and Julia Bacha’s Naila and The Uprising, about a Palestinian woman in Gaza who must make an impossible choice between love, family and freedom. Among the festival’s 18 categories are two competition sections: Viewfinders, for distinct directorial visions, and Metropolis, dedicated to stories set in NYC. More than 350 filmmakers and special guests (often film subjects) will be in attendance for Q&As after most screenings and for DOC NYC PRO panels, including Steve Madden (for Maddman), Dan Rather (for Fail State) and Susan Sarandon (for Soufra). Opening the festival is Greg Barker’s The Final Year, which follows key members of outgoing President Barack Obama’s administration; closing it is Lili Fini Zanuck’s Eric Clapton: Life in 12 Bars, about the life and career of the legendary guitarist. In between are docs of all sizes and shapes including centerpiece film Far from the Tree, Rachel Dretzin’s world premiere adaptation of Andrew Solomon’s book,[...]
  • Documentary lovers, take note! The seventh edition of DOC NYC, America’s largest nonfiction film festival, begins this week, with screenings at Manhattan's IFC Center, SVA Theatre and Cinepolis Chelsea. The 2016 festival, which runs from Thursday, Nov. 10, to Thursday, Nov. 17, boasts over 250 films and events overall, including 110 feature-length documentaries. Included are 18 world premieres and 19 U.S. premieres, with more than 300 filmmakers and special guests on hand to present and discuss their films. Notable documentarians will be honored at the Visionaries Tribute Awards on Nov. 10, including Jonathan Demme and Stanley Nelson, who are receiving Lifetime Achievement Awards. Opening Night film will be Citizen Jane: Battle for the City, directed by Matt Tyrnauer, about writer and activist Jane Jacobs and her fight against NYC’s most ruthless power broker, Robert Moses. Closing Night film will be Chasing Trane: The John Coltrane Documentary, directed by John Scheinfeld. In between the two is a dazzling variety of docs divided into several categories: Viewfinders Competition (directorial visions), Metropolis Competition (NYC), American Perspectives, International Perspectives, Fight the Power (activism), Jock Docs (sports), Sonic Cinema (music), Modern Family (unconventional clans), Wild Life (animals), Docs Redux (classics), Art & Design (artists), Behind the Scenes (filmmaking), DOC NYC U (student work), Shorts, plus two new sections, True Crime and Science Nonf[...]
  • Though only in its fifth year, DOC NYC seems like a city institution already. The annual event, which ran from November 13 through 20, has become the largest documentary film festival in the country. This year’s DOC NYC encompassed 153 films and events, ranging from screenings of classic docs (Hoop Dreams) and high-profile films (Citizenfour) to premieres from first-time feature filmmakers (Opposite Field, Vessel, many, many others). There were also educational panels and master classes (Finish Your Doc) for aspiring auteurs. Opening Night Film was David Thorpe's funny, poignant Do I Sound Gay?; Closing Night Film was The Yes Men Are Revolting, which chronicles the prankster-activists' past five years, directed by Laura Nix and The Yes Men. DOC NYC is a testament to the ever-growing popularity of documentaries, due to a number of reasons including an increase in movie outlets, the stylistic crossover between narrative fiction and non-fiction films, and accessibility of digital technology, now that practically everyone can make movies. (Imagine the various permutations that would exist of 1970 classic Gimme Shelter, had Altamont audiences owned smartphones.) Festival screenings took place at Bow Tie Chelsea Cinemas, IFC Center and SVA Theatre; in many cases filmmakers were present to introduce their work and answer questions afterward. Every sort of documentary was represented, broken down into categories including American Perspectives, International Perspectives, Cente[...]