Category archives: Art for Progress
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5 years ago
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Art for Progress is pleased to announce The Carlos Reid Gallery will be pledging 3% of gallery sales to Art for Progress for the next two years.
The Carlos Reid Gallery is quickly becoming the ultimate destination for original, international, contemporary and modern art online. The gallery is based in the United States and is dedicated to representing emerging and established international contemporary artists. Unlike physical galleries, we have over 100 million potential online clients worldwide and are able to sell in over 150 countries. Clients include private, corporate collectors, galleries, and museums worldwide.
Please visit The Carlos Reid Gallery often to view our ever-evolving collection of original contemporary and modern art. After a visit to The Carlos Reid Gallery, you will soon discover a unique array of styles and mediums, at prices designed to meet the needs of any collector.
"The Carlos Reid Gallery's mission is to provide the highest quality art by the most talented new, emerging, and established artists- worldwide. To engage a wide array of audiences, against the backdrop of an online-based platform that elevates artists and their work."
The
Carlos Reid Gallery
www.thecarlosreidgallery.com
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5 years ago
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by Beláxis Buil
We met a few years back. Our meeting encounter happened during an exhibition Intersectionality, 2016 at the Museum of Contemporary Art in Miami, Florida. Eurydice Kamvyselli struck me as a woman who resists nonsense, but more so, foolishness from any opponent who questions her prerogative. But her confrontation is directed towards men (since it has been men creating most sex scandals), and rescuing our vaginas and womanhood, as an agency. Her ammunition deeply roots in communication and literature, with an array of published books on sexual identity, investigations on socio-sexual practices and the raging plague of sexual violation women face every day.
In her first novel, F/32, she tells the story of a "woman's vagina abandoning her body as a stranger on the street is assaulting her." It is not to say Eurydice has a problem with sex, but more specifically, she reminds us of how women are silenced when faced with the woe of the patriarchs' contamination of its true meaning and intention. After all, sex should be an element of power for women in both public and private spaces, not a transactional feature as compromised in Western capitalism.
Her practice as a writer, visual artist, speaker, and activist has given her a voice: one that aims to dismantle "the patriarchy that binds women to its words, laws, paradigms, and aesthetics." Since the #METOO movement, Eurydice grabbed the "bull by its horns" and commenced a new project: SpeakSex Podcas[...]
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5 years ago
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Art for Progress Summer Arts Program 2018
Art for Progress (AFP) is pleased to announce The Pierre & Tana Matisse Foundation has awarded the organization a three year grant in support of its Summer Arts Program. After a highly successful launch of the program in 2018, the foundation requested a multi year proposal to support the program which was recently granted in May.
Art for Progress will receive $52,500 to fund the program through 2021. The program was developed with the purpose of providing instruction in both music and visual arts over the summer months for students and young adults who are interested in careers in art and music. Although the focus is to provide instruction, knowledge and insight for career oriented students, the program is open to anyone interested (ages 13-24). Some of the key objectives of the program include:
providing a challenging curriculum while giving students the opportunity to choose and learn skills they desirepresenting professional, engaging artists to speak to attendees about the challenges of choosing a career in artssharing information and knowledge that's typically not offered in formal school programs such as "Key Tenets for the Professional Artist."providing teaching opportunities for students who are interested in education careers
The workshops will take place on four consecutive Sundays beginning July 14th (July 21st, July 28th, August 4th) from 10:30am-4:30pm. There is no cost for students and lunch wil[...]
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5 years ago
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Mademoiselle Paradis
The 11th edition of the Panorama Europe film festival, co-presented by Museum of the Moving Image (MoMI) and the members of European Union National Institutes for Culture (EUNIC), will take place from Friday, May 3, through Sunday, May 19.
The 17 films screening this year, programmed by David Schwartz, MoMI curator-at-large, represent some of the continent’s most intriguing emerging directors, nine of them women. Included are both documentaries and fiction, many of them set in contemporary Europe, reflecting its current state of flux. Though the films tackle weighty subjects such as politics, history, labor, and feminism, their stories focus on the lives of individuals.
In addition to films from cinematically prolific countries such as Germany, Spain and France, there are entries from Malta, Slovakia, and Croatia, among other places that are not as widely represented on screen, providing welcome glimpses into those cultures.
Screenings will take place at the Museum of the Moving Image (36-01 35th Avenue, Astoria) and Bohemian National Hall (321 East 73rd Street, Manhattan).
The festival opens with the U.S. premiere of Mademoiselle Paradis, Barbara Albert’s excellent period drama, starring Romanian actress Maria Dragus as blind, 18th-century pianist Maria-Theresia Paradis. Though visually lush and authentic to its time, this mildly satirical film is also feminist in its depiction of a determined young [...]
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5 years ago
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This year IKT Congress (International Association of curators of contemporary art) gathered in Miami, Florida for a four-day program of discussions, artist studio visits, presentations and exhibition tours. One of IKT's board members and Miami resident Ombretta Agró Andruff organized the sprawling, successful itinerary throughout Miami and Miami Beach. It included ICA, RFC ( Rubell Family Collection), PAMM ( Peréz Art Museum), Wolfsonian among a few others.
Curators introducing themselves during IKT General Assembly at Faena Forum, Miami Beach.
One of the best aspects of this year's curatorial assembly, was the theme "exploring issues of resilience and sustainability in cultural production." The assembly connected Latin American and Caribbean curators to an impressive network of European, Canadian, Mediterranean, North American and Australian scholars in the field. Curators of diverse backgrounds had the chance to speak intimately, exchange ideas and establish professional connections that could lead to future collaborations in Miami and abroad. Additionally, Miami-Dade County Art in Public Places offered scholarships to local curators that covered expenses for the four-days. Plus, they selected visual artists to present 5- minute rounds during Long of Arts in Public Places. This was lead by Amanda Sanfilippo at the RFC ( Rubell Family Collection).
Over the four days, curators traveled throughout the city and experienced highlights such as a first-time public w[...]
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5 years ago
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Traveling opens one's eyes to truths that otherwise become lost to distance, suspicions, and misinformation. By traveling, we connect with cultures and find out about crippling circumstances that may impair individuals from being included in global communications in which they should participate.
During a recent trip to Costa Rica, I found some surprising facts on the local view on art. First, I must disclose: aside from national institutions, there are hardly any galleries in the city of San Jose. Some of the residents claim an enormous problem with the few public works facing vandalism or individuals uncertain of art's purpose in a town, or even as a serious career.
It is true that cultural institutions such as the National Museum of Costa Rica and the Jade Museum boast an extraordinary dose of Pre-Columbian art and jade artifacts. MADC ( Museo de Arte y Diseño Contemporáneo) exudes a lovely exterior and has gained the public interest of many traveling abroad because it is one of the only contemporary art spaces in the city.
Upon entering the space, there were two modestly small galleries. The first had a few paintings wrapped in plastic. It seemed as though a transition of works was taking place. The second displayed smaller pieces lined up in a row or salon-style arrangements.
Towards the back wall, a larger-scaled painting with jagged angles in vibrant blues textured, ragged greens, and crisp whites stood out as a lovely landscape. Perhaps, one of Cost[...]
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5 years ago
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Courtesy of IFC Films
Diane, the narrative debut by Kent Jones (director of the New York Film Festival) is a thoughtful, deeply affecting film, especially so for viewers who are middle-aged or older, or have recently been touched by death. (Though all but the most shallow of viewers will probably feel something.)
The film, which stars Mary Kay Place in one of the most intense and substantial roles of her career, is the portrait of a woman who busies herself caring for those around her while struggling with shame, loss and no less than the meaning of life itself.
In many ways she is like all of us, which is why the movie resonates. Ostensibly a simple story of an ordinary life in a New England town, Diane almost furtively tackles the Big Issues. The film starts off stylistically straightforward, with close-ups of mundane kitchen items and conventionally framed conversations, before becoming progressively more surreal, as if showing how we, like Diane, are part of a bigger picture that we can't really control, or even grasp at times.
Courtesy of IFC Films
We first see Diane asleep in a hospital room chair, as the room’s occupant, her cousin Donna (a sharp Deirdre O'Connell), asks if she's OK. Throughout the movie, various friends, relatives and acquaintances will inquire about Diane’s well-being, as she cares for them. A retired widow, she brings food to ailing neighbors and volunteers at a soup kitchen with her friend Bobbie (a sympathetic Andrea Martin). She a[...]
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5 years ago
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Gregory Siff, "You" ink, oil, crayon on canvas 2019
After missing the December shows in Miami, I was determined to get out and see what New York had to offer at Armory Week. I had planned to attend the Art on Paper opening on Thursday, but I wasn't able to make it. So, Saturday was my day to get my art fix. I got an early start with the idea of beating the crowds and catching up with some artists and curators I haven't seen for a while.
Michael Flomen, "Full Moon Rain, Number 3," 2016
First stop was Plan B, which was one of the smaller shows- a pop up art show created by a group of gallery owners when Volta was cancelled. Sometimes you can find some really intriguing work at the smaller shows. For example, this piece by Michael Flomen ("Full Moon Rain, Number 3") caught my attention. It's quite minimal, but very creative. The Canadian born Flomen collaborates with nature using photogram's to create these unique pieces. The black pigment, cracked surface and contrast got my initial attention and required a closer look.
The other artist that caught my attention at Plan B was Jongmin Joy Kim, a NYC transplant from Korea. His expressive, colorful abstract work was fun and had a street art vibe.
Jongmin Joy Kim, untitled, 2018
Our next stop, which is usually very good in Miami was Scope. I did attend Scope in New York in 2018 and found it to be disappointing. So, I was curious to see how the show would compare to last year's show.
Upon entering, the [...]
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5 years ago
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A truly original work from Icelandic director Benedikt Erlingsson, Woman at War is a whimsical action film about a middle-aged eco-terrorist fighting local industrialization. Starring the wonderful Halldóra Geirharðsdóttir as Halla, an upbeat choir director who secretly dismantles power lines in her spare time, Woman at War is also a musical of sorts, with both an Icelandic combo and a Ukrainian vocal trio punctuating the action. It’s doubtful that the issue of environmental conservation has ever been handled in such a delightful manner.
Courtesy of Magnolia Pictures
When we first meet Halla, she’s busily cutting down power lines that mar the gorgeous, almost otherworldly-seeming Icelandic countryside, as musicians playing percussive tuba, organ and drums look on. When she tries to escape a surveillance helicopter, Halla comes upon a gruff but sympathetic local farmer (Jóhann Sigurðarson), who agrees to help her. Apparently this is not the first time she’s sabotaged the power project.
Later, when Halla shows up for choir practice, one of its members takes her aside and begs her to stop her activities. Baldvin (Jörundur Ragnarsson), the only one who knows her secret mission, is a government minister who initially supported her, but now thinks she’s gone too far. Not only has China gotten cold feet about doing business in Iceland, but, the U.S. has launched a satellite to monitor the area. Meanwhile a young Spanish-speaking foreigner (Juan Camillo Roman Estrada) is t[...]
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5 years ago
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South Florida has become a considerable pocket of art in the last 12 years. Maybe even longer. Being so close to the equator makes the southernmost region of the United States pretty hot, climatically so, but in respect to artists turning heads in the city and bringing attention to the area (particularly Miami), artists with distinct backgrounds and practices are turning up the heat, making it hotter than before by addressing pressing issues.
Discussions such as climate change, gentrification, South Florida's wildlife in the Everglades, preservation of local cultures and historical sites, or identity-politics seem to be on the artist's minds and leak well into the works.
Every blossoming artist has a unique perspective and aesthetic to offer the public. Competition between peers shouldn't be a factor in success, but instead should be acknowledged and applauded. Miami's sundry is key to the city's progress in the arts. It can be pretty hard to keep up with the talent and "who is who," but even more so trivial to find individuals who care enough to spread the spotlight onto the enormous mass of creatives.
Amid the roaring sea of Miami artists, two women producers Elysa Batista, and Maria Theresa Barbist decided to pair up as a team. The result was the birth of Rocking Chair Sessions- spontaneous interviews with a list of preordained invitees from the arts community. The meeting's format discloses both professional and personal information to the public, making it [...]
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5 years ago
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Courtesy of Greenwich Entertainment
There have been many worthwhile films about the World World II Holocaust and its survivors. Though it seems as though every angle has been covered, The Invisibles, a riveting docudrama by German filmmaker Claus Ráfle, is an unusually compelling new addition to the genre.
Goebbels declared Berlin free of Jews in 1943 (the city originally numbered 160,000); however, out of the 7000 who resisted deportation and remained, 1500 were left by the war’s end. The Invisibles follows four young Berliners, as they individually defy the Nazi mandate to evacuate via deportation, choosing instead to wait out the war as veritable fugitives in their own city.
Cioma Schönhaus, Hanni Lévy, Ruth Arndt and Eugen Friede are skillfully portrayed by actors in their youth and appear as themselves discussing their experiences decades later. Ráfle smoothly weaves their individual stories together, creating a movie that plays like a spy thriller as the protagonists face mounting danger from Nazis and, ironically, Allied bombs and invasion, while finding help from various heroic resistors.
Though their plights are obviously similar, the four had different experiences marked by a shared characteristic: a sort of youthful fearlessness and resourcefulness, combined with a fierce will to survive.
Courtesy of Greenwich Entertainment
In 1942 Schönhaus (Max Mauff), a somewhat cocky, 20-year-old art student, is separated from his parents [...]
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5 years ago
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Most Miami art week events are drawn to glitz and glam, vying to compete for a mention in the press or passed as gossip around town as the hottest soirée happening during its short life in Miami. The majority of art fairs push old and new artist names to the public while attempting to cash in revenues from lucrative collectors. They all play a part within the same hob-snob social games commonly celebrated in art communities across the board. It's just more intensified during this time of year.
Luckily, the RFC ( Rubell Family Collection) opened it's doors to the public with a refreshing solo exhibition of Purvis Young's messy Zulu inspired, folk art and new acquisitions. Over one-hundred works were displayed, created over Young's lifespan, shedding light on "universal themes."
Although Young is a prominently dominating name in the art world and his personal affairs disclosed to the public, there is still a sense of privacy or even distance that exists between his work and the public. This space became more apparent to me as I walked through the exhibition. Because the RFC exhibition space is vast and fixed in white walls, Young's smaller works became shushed from the viewer's direct gaze, but it was precisely his genius overcast brushstrokes what gesticulated the viewer to step in and absorb the extended, languid arrangements. Similarly to his reflective persona, his gestures seem pensive, drenched in the desire to understand humanity's fate, twisted by war, suffering,[...]
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