Tags archives: performance art

  • Musician Billy Martin Shares Creative Ideas with Students I had the great pleasure and fortune for the second year in a row to host and to teach at the Art for Progress Summer Music and Art Program. The program was made possible by a grant from the Pierre and Tana Matisse Foundation, and was open to young people seeking to pursue careers in creative fields. Music and art were made, and a great and enlightening time was had by all this summer. The program consisted of workshops held on four consecutive Sundays in July and August. For each week’s session, we created a unique, interactive space where creativity seemed to be seeping from the walls. Curiosity was inspired and mysteries demystified. Each week featured a professional guest artist in a different creative discipline. Our guest artists shared with us the experiences they each encountered on their journey toward becoming a fully realized professional artist. Jerrell Battle teaching Ableton while students interact The focus of the of the program, in addition to developing specific skills, was once again centered on questions and situations that a professional artist might encounter. The kind, for instance, that might not be intuitive or often addressed in traditional academic settings. Basically, the stuff they don't tell you in school. We discussed finding your audience, vetting creative ideas, being band-mates as well as friends, and checking your attitude. There were also break out music sessions on topics i[...]
  • Opened in the summer of 2013, Garis & Hahn gallery is one of the newest exhibition spaces that has popped up along the Bowery in recent memory. The gallery's most recent undertaking, a group exhibition entitled “Notes on Undoing” features the work of eleven artists and was curated by Branka Benčić. It is the first survey of contemporary Croatian art that has occurred at the the gallery and brings together eleven different artists including: Eškinja, Vlatka Horvat, Igor Grubic, Tina Gverović, Zlatko Kopljar,Dino Zrnec, Marko Tadić,Damir Ocko,Hrvoje Slovenc,Viktor Popović and Ljiljana Mihaljević. A major theme that the show tackles is unraveling the way in which the viewer perceives the artist and the symbiotic relationship that is created when looking at work. These multiple perspectives are informed by the way in which each artist approaches the work and the conceptual projects they are engaging in. The press release for the show states, ”some show an interest in the experience of how the body or object relates to its environment.” As the title suggest, there is an element of this exhibition that is attempting undo the myth of the artist and the artistic process from various vantage points. This very sentiment is taken up in each of the pieces within the exhibition. The work in “Notes on Undoing” is diverse and spans the conceptually gambit ranging from sculpture to performance. The exhibition takes up the two floors of the gallery's space. On the first floor there [...]
  • Beth Fiedorek has been creating psychological narrative paintings and performance based work since 2007. Fiedorek who is a graduate of Yale, tackles issues surrounding everyday experiences while also commenting on "the improvement oriented culture" we live in within her art. Beth's introspective and insightful approach to the art making process adds a level of complexity to the work she is generating. Fiedorek who has lived in Brooklyn since 2012, has taken part in the Gowanus Open Studios as well as performing in festivals such as FIGMENT, which occurred this past June. I recently spoke with Fiedorek about her art making process, what some of the challenges she has faced as a working artist have been and her take on the Brooklyn arts scene. Something Invisible to Others, Oil on MDO board, 48" x 48". Image courtesy of Beth Fiedorek. Anni Irish: How did you get interested in art? Beth Fiedorek: I always liked making things, ever since I was really young. I have found that materials tend to speak to me, sometimes more so than people which can prove to be awkward. As I’ve gotten older, making art has become more about communicating and processing experiences. Figuration and materials carry symbolic energy that I try to use thoughtfully, highlighting strange moments I find intriguing. In painting, there are psychological narratives that emerge over time and it is not always something you can control. For me, the process and re-evaluation of materials are deeply [...]