Tags archives: New York Times

  • Milly Cardoso was born and raised in Miami, Florida and is the Director and Curator for the University of Miami Gallery in the Wynwood Art District. Prior to joining University of Miami, she worked for the Miami Art Museum (Pérez Art Museum, Miami) and the Mitchell Wolfson, Jr. Private Collection. Milly is currently organizing an all-female group exhibition titled " Yes, I'm a Witch" to be presented at FATVillage Projects on September 24 – October 28, 2018, strongly supporting the works of local artists residing in South Florida. I decided to chat with Milly about America's obsession with the topic, what or who determines a witch and the '' mass hysteria" ( of sorts) we still face today. Interview with Milly Cardoso: BB: From my understanding, it's been stated, you title the exhibitions you curate after songs? Why is that? MC: Not for every exhibition, but yes, I’m very inspired by music. Lyrics inspire me. I hear a great lyric and think “that would make a fantastic exhibition.” I like every genre; I feel sorry for people who only listen to one form of music. They don’t know what they’re missing. BB: What song, in particular, has most personally affected an exhibition? How so? It’s difficult to pick a favorite, but it would have to be Clang, Boom, Steam. It’s an exhibition I curated in 2013 with male artists that focused on the state of masculinity in contemporary art. Clang, Boom, Steam is a song by Tom Waits. It’s only 52 seconds long, but it delive[...]
  • Bucket List confession: It's been a dream of mine for quite sometime to attend the Costume Institute's Met Gala. Colloquially and affectionately referred to as “fashion’s biggest night out,” the Costume Institute's Met Gala is PEAK celebration of iconic style. And as we all know by now, this year's Met Gala was a spectacular showcase of quasi-wearable, avant-garde fashion, honoring the Costume Institute's latest exhibition on Rei Kawakubo and her label Comme des Garçons. And unlike past Met Gala events this hullabaloo was loaded with an incredible mix of celebrities smoking in a bathroom and meme-inducing sculptural looks that are still keeping the internet in a frenzy. https://twitter.com/MarcSnetiker/status/859172626362585088?ref_src=twsrc%5Etfw&ref_url=http%3A%2F%2Fwww.allure.com%2Fstory%2Fbest-met-gala-memes-2017 But if you still haven't visited the 2017 Costume Institute exhibition on Rei Kawakubo and her label Comme des Garçons you are missing out on a treat. Here are three things you need to know about this incredible showcase. Rei Kawakubo/Comme des Garçons: Art Of The In-Between at The Metropolitan Museum of Art. Photo by Jemal #1 This showcase makes history  Aptly named Rei Kawakubo/Comme des Garçons: Art of the In-Between, the exhibition highlights the reclusive designer's wide array of left-of-center, hyper-modern, sculptural constructions — retracing almost 40 years of clothing. And this is first exhibition since 1983 Yves Saint Laurent sh[...]