Tags archives: South Florida
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5 years ago
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by Beláxis Buil
We met a few years back. Our meeting encounter happened during an exhibition Intersectionality, 2016 at the Museum of Contemporary Art in Miami, Florida. Eurydice Kamvyselli struck me as a woman who resists nonsense, but more so, foolishness from any opponent who questions her prerogative. But her confrontation is directed towards men (since it has been men creating most sex scandals), and rescuing our vaginas and womanhood, as an agency. Her ammunition deeply roots in communication and literature, with an array of published books on sexual identity, investigations on socio-sexual practices and the raging plague of sexual violation women face every day.
In her first novel, F/32, she tells the story of a "woman's vagina abandoning her body as a stranger on the street is assaulting her." It is not to say Eurydice has a problem with sex, but more specifically, she reminds us of how women are silenced when faced with the woe of the patriarchs' contamination of its true meaning and intention. After all, sex should be an element of power for women in both public and private spaces, not a transactional feature as compromised in Western capitalism.
Her practice as a writer, visual artist, speaker, and activist has given her a voice: one that aims to dismantle "the patriarchy that binds women to its words, laws, paradigms, and aesthetics." Since the #METOO movement, Eurydice grabbed the "bull by its horns" and commenced a new project: SpeakSex Podcas[...]
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6 years ago
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Tina La Porta opens her first solo exhibition, Side Effects in South Florida on September 29th in the FAR Gallery at FATVillage Projects. The presentation is a candid oeuvre on La Porta's encounter with mental illness and her skilled approach to creating a pharmaceutical, candy-like frenzy to the viewer's eye and psyche.
Far Gallery is a long corridor of two walls facing North and South to the main entrance, making the task for any curator or artist challenging to organize works within the space without it becoming predictable. Nonetheless, La Porta and curators Vee Carallo and Leah Brown strategized the area by assembling the wall sculptures in a non-linear format, concentrating on colors, geometric designs within the works and by the story of each prescription pill.
Although La Porta is open about her way of life and how her functionality depends on the suppression her pills provide, she also comments in Indian Summer (2003) on the comfortable accessibility people have to order any prescription online. With its deceiving romantic shades of pink and old rose, Indian Summer 2003 exudes an ill feeling to a morning-after pill, direct from India without any proper instructions or what damaging side effects one is to expect from it.
From La Porta's grueling process to crush each pill, comes the construction of a larger disk or shape resembling a small tablet filled with an array of smaller capsules sprinkled in vibrant colors and delicious enough to want to bite. The scu[...]
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