- 8 years ago
- A documentary that presents one of the most preposterous true-life scenarios ever connected with the movie business (or any business), Rob Cannan and Ross Adam’s The Lovers and The Despot also provides yet more evidence of North Korea's bizarre sociopolitical culture and the oddity that was Kim Jong-il. In 1978, Kim—then heir apparent to North Korea's leadership and a major film buff—arranged for the kidnap of South Korean director Shin Sang-ok and his ex-wife, actress Choi Eun-hee. Kim was envious of South Korean cinema's originality, unlike the stilted fare that was coming out of his artistically backwards nation, and he wanted the renowned couple to be his personal filmmakers. The Lovers and the Despot uses interviews, footage from Shin’s movies, propaganda film clips, and reenactments, underscored by Nathan Halpern’s dramatically ominous music, to show the couple’s plight and their eventual escape. The resulting documentary unfolds like an artsy international crime thriller, albeit one with a few plot holes. It's a striking and effective approach, though just about any film covering this material would be fascinating for the story alone. The Lovers and the Despot begins with a press conference given by Shin and Choi after their escape. It then travels back to the beginning of their relationship, as Choi recalls their initial meeting on the set of one of his films. (She provides much of the narrative; Shin died in 2006.) Scenes of the couple's subsequent success [...]
