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9 years ago
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Were you at this past weekend’s Brooklyn Electronic Music Festival? If not, you missed borough-load of great parties, soundtracked by scores of brilliant artists and DJs. One of the best was the Rinsed closing party, held in a Bushwick warehouse space and featuring guest sets from the inimitable Detroit producer Omar-S, the always-worth-catching Chrissy and the Basement Floor label’s Turtle Bugg. In case you’re not familiar with Rinsed, the soiree has featured iconic artists and DJs along the lines of Inner City, MK, MJ Cole, Juan Atkins and Todd Edwards; stars of slightly more recent vintage like Jackmaster, Jacques Greene, Ejeca, Ben Pearce and Chris Malinchak; local players like Juan MacLean, Justin Strauss, Morgan Geist, Populette and Aurora Halal; and a list of outliers that includes Actress, NGUZUNGUZU, Ital, Sepalcure and Jaw Jam. Oh, and a bunch of other people, too—not bad for a shindig that, when it debuted four years ago, hosted about a hundred people in the loft space above Public Assembly. Nowadays, resident spinners Dan Wender and Blacky II, along with Rinsed’s indispensable “visual aesthetician” A.Pop, are among those running the show in Kings County. We asked the core gang, Brooklynites all, what they loved about their home borough, and here are their wide-ranging replies.
A.Pop
Some things I love about BK:
That you can find cappuccino Lays chips in Bushwick, the best slice of your life in Midwood, 24-hour amazing tacos in Sunset Park, or blue ribbon[...]
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Were you at this past weekend’s Brooklyn Electronic Music Festival? If not, you missed borough-load of great parties, soundtracked by scores of brilliant artists and DJs. One of the best was the Rinsed closing party, which featured guest sets from the inimitable Detroit producer Omar-S, along with the always-worth-catching Chrissy and the Basement Floor label's Turtle Bugg. In case you’re not familiar with Rinsed, the soiree has featured iconic artists and DJs along the lines of Inner City, MK, MJ Cole, Juan Atkins and Todd Edwards; stars of slightly more recent vintage like Jackmaster, Jacques Greene, Ejeca, Ben Pearce and Chris Malinchak; local players like Juan MacLean, Justin Strauss, Morgan Geist, Populette and Aurora Halal; and a list of outliers that includes Actress, NGUZUNGUZU, Ital, Sepalcure and Jaw Jam. Oh, and a bunch of other people, too—not bad for a shindig that, when it debuted four years ago, hosted about a hundred people in the loft space above Public Assembly. Nowadays, resident spinners Dan Wender and Blacky II, along with Rinsed’s indispensable “visual aesthetician” A.Pop, are among those running the show in Kings County. We asked the core gang, Brooklynites all, what they loved about their home borough, and here are their wide-ranging replies.
A.Pop
Some things I love about BK:
That you can find cappuccino Lays chips in Bushwick, the best slice of your life in Midwood, 24-hour amazing tacos in Sunset Park, or blue ribbon/grass fed/farm-to-fork[...]
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10 years ago
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There isn't a more musically diverse city than New York. The boroughs boast every kind of venue, from coffee shops to concert halls. From Barclays to The Bowery to The Silent Barn, there is a constant flow of musicians moving amongst, around and through NYC. Whether they are defining or defying a genre, each strive to make their mark. This blog aims to explore that journey and report on what the natives and newcomers are coming up with. On the 3rd and 20th of every month we will post on the up and coming, the established, the solo acts and the full bands, doing our best to bring you what's news and what's new. Open mic nights, co-headlined tours, battles of the bands and quality buskers are all fair game; we aim to bring you a mix of everything. We want to include the five person Balkan brass bands, the shoegazing indie rockers, head-smashing metal acts and whatever else this city may culture in its midsts. We understand that the NYC music scene is ever changing and we plan to keep pace. We won't tell you who to see or who to listen to, but if you would like suggestions we're here to help. We will be posting interviews, concert recaps, album reviews and any related news, all with the aim of making you a better informed listener. Welcome and we hope you enjoy the ride.
About your blogger: Zoe Marquedant grew up listening to, playing and illegally downloading (whoops) music. Nowadays there is rarely a moment when she does not have her headphones in. Although a longstand[...]
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10 years ago
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Strictly Rhythm. Nervous. Emotive. These seminal New York labels, along with a handful of others, evoke a time in the late ’80s and early ’90s when the local variant of house music, one that combined depth, emotion and soul with the raw rhythms that had been coming out of Chicago, took form. But there was one other local label that was equally influential—and it wasn’t even based within the five boroughs. Its name was Movin’ Records, a label (and record shop) led by Abigail Adams and based in East Orange, New Jersey.
Between 1987 and 1995, Movin’ released some of the most beloved songs of the era—Phase II’s stone-cold classic “Reachin’" among them—and its lineup of vocalists and producers and included such notables as Kerri Chandler, Kenny Bobien, DJ Pierre, Ce Ce Rogers, Blaze’s Kevin Hedge and Josh Milan, Ace Mungin and Tony Humphries. That last name is key: A symbiotic relationship formed between the club that Humphries deejayed at, Club Zanzibar in nearby Newark, and Movin.' Though they were both just a few miles west of Manhattan, the Movin’-Zanzibar affiliation resulted in a sound with a different feel than what was going down in Gotham, a feel that amped up the gospel- and R&B–tinged passion beyond what the big city had to offer. It’s a style of house generally referred to as the Jersey Sound—and its effects can still be felt on the club music of today. I recently had the pleasure of speaking with the gracious and friendly Adams, her love of the music still shin[...]
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10 years ago
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AFP Arts Education Program had a great summer this year and we look forward to the start of the new school year! The summer music program wrapped up with a great session that included recording a new song, learning more about the recording and mixing process, and vocal instruction. As I mentioned in my last post, each participant was asked to choose a song to work on learning to sing. The selections were very interesting and varied, and we had a lot of fun working them out. AFP is also excited to explore the possibility of partnering with City Kids on some future projects and programs, which could open up some new possibilities.
In this summer’s last session of the AFP music program, we recorded “The Cut”, a new song by the band newly formed by the kids, called Static Vision. We set up all of the instruments in the music classroom at Humanities Prep, using tables as gobos to separate the sound sources a little bit. We mic’ed all of the drums and amplifiers, and recorded live together, a technique that is employed less and less these days in the age of overdubbing and “in the box” production. It was a great opportunity for the band to seek to achieve excellence as a group, and to focus on listening to each other, while performing with energy and accuracy. It’s a tall order, but it brought out the best in everyone, and we got a few near perfect takes, which we will be editing and mixing in sessions that will be held during the coming school year. As intense as the recording[...]
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10 years ago
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Art for Progress’ summer music education program has met two more times since my last post, and a lot of great stuff has been going on. We have been exploring jazz theory, analyzing Etta James’ “At Last”, using the solfeggio system to develop ear training, and have delved into some vocal exercises in order to tune up our voices, and to reinforce the ear training work. Participants have each been asked to select a song to work on, and we’ll be applying the new techniques we’ve developed to singing those songs in the upcoming final session. One student, who is originally from Bangladesh, is even working on a song by his favorite Bengali pop band! In addition to all of this subtler harmony work, there’s been some good ol’ rocking out, as well. The group has expanded its original repertoire of rock songs, and has been honing the arrangements to prepare for our final recording session of the summer. We have recorded versions of four original songs thus far, and as we get closer to the perfect take, we have also been studying the various tools used in the recording and mixing process, and learning how to make the tracks pop out of the speakers.
“At Last”, by Etta James is a timeless classic, which was revisited a few years ago by Beyonce in the movie “Cadillac Records”. While the melody is arresting and unforgettable in its uniqueness, it also contains some very exemplary chord changes, which are great for illustrating the use of ii-V-I progressions and some other essential jazz[...]
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10 years ago
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In the fall of 2012, Nasrene Haj and Mila Pinigin formed the Creators Collective. At the time Haj and Pinigin, who had recently graduated from Sarah Lawrence College, were interested in creating a collaborative space in which other artistic individuals could come together to network, generate discussion and develop projects and events which challenged the status quo. In the two years since the Creators Collective was founded, Jeremie Gluckman joined the organization as Research Director while Haj has remained at the helm guiding the Creators Collective forward, always seeking out new and innovative ways to engage the arts on a micro and macro scale.
I spoke with Haj who is the Director and Co-Founder of the Creators Collective, about what it is like being a working artist in Brooklyn today, what challenges she faced starting an organization, and what changes she has seen in the Brooklyn arts community having grown up here
Anni Irish: How was the Creators Collective formed? And what was your intent for this organization?
Nasrene Haj: I founded The Creators Collective with one of my best friends from college, Mila Pinigin. One evening, while studying abroad in Italy our junior year, we were having dinner and started throwing around ideas for projects we’d like to work on together. We thought about how amazing it would be to create a small collective in Brooklyn that would engage these various projects with other friends and community members. A few months after gradu[...]
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10 years ago
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Having finished up a great school year, including the amazing Humanities Prep Student Music Showcase, our summer programs have hit the ground running. A new music enrichment program was launched with the Upper West Side JCC for K-4th graders four days a week, and AFP is hosting a summer music program at Humanities Preparatory Academy.
Since the bulk of my work with AFP involves school programs, in addition to AFP's summer Jazz program for older kids, Frank, Allyson and I are always looking for opportunities to contribute to the rest of the community through workshops during the summer. This summer, I have been going to 97th Street four mornings a week to introduce music to students enrolled in the JCC’s Summer Enrichment Program. The program is for under-served kindergarteners through 5th graders, and boy, do we have a good time! I bring my guitar, and a bunch of drums and percussion instruments for everyone, including the teen tutors in the class, to play. Before we get to jamming, I show everyone how to clap in time and count out measures. We play rhythm games and try to follow each other, and the kids get to make up their own rhythms, first on the whiteboard, then on the instruments. It is amazing how quickly kids will pick up the basic concepts that are the foundation of reading and playing music in the context of a game. On my second day, the class I had worked with on the first day marched into the other class ten minutes before the end of class with their own homem[...]
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10 years ago
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As a relatively new member and contributor to Art For Progress I wanted to take this opportunity to explain what drew me to the organization and what it has meant to me over the past year and a half. I also, wanted to congratulate all of those who have helped the organization to serve the local community for 10 years. That is truly an amazing feat! As we look ahead to the second half of the summer, I thought it might also be a good idea to give a little preview of what to expect for the rest of the summer from our local music scene in NYC.
Firstly, any great organization is made up of great people and I realized early on that AFP was no exception. The dedication of the teachers and volunteers was evident from the first event I attended and has not waned since. This first event was a workshop at the gallery of an AFP artist called NOoSPHERE ARTS. The workshop was aimed at introducing young children from the LES to music, art and photography. At one point in the day two young kids started making music, one on the cowbell and one on the keyboard. It was at this moment that I truly understood the impact of what AFP was doing and the passion of the teachers who dedicate their time to this organization.
AFP is a true grassroots effort and that was one of the things that attracted me to it. This past fall and winter we organized a monthly live music event called “Homegrown,” that featured local acts from the NYC area, ten in total. The quality of the music was a testament[...]
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10 years ago
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This spring AFP Arts Education Programs are celebrating the completion of our eighth school year serving NYC Public Schools with exciting, confidence building visual art and music classes and after school programs. AFP Arts Education Programs at the James Baldwin School, Humanities Preparatory Academy, and Hudson High School all expanded this year, and we continue to provide after school music programs at Quest 2 Learn, and at Hudson High School for Learning Technologies. Students at the James Baldwin School asked for an after school program where they could learn music production and beat-making, so AFP implemented a program that brings aspiring producers, rappers and singers together to learn the skills necessary to create professional quality recordings. Humanities Prep's Music Program had unprecedented success this year, introducing a number of talented students to their first instruments, and fostering the continued development of returning students through after school opportunities.
In general, AFP has helped to cultivate the creative culture that is now a primary component of the school. Many students and faculty performed in a talent showcase to end the school year on June 6th. Sophomore Abril Tiburcio brought the house down with her interpretation of Lana Del Rey's "Ride", while 2014 valedictorian and class president Michelle Bello sang The White Stripes' "Seven Nation Army." They were backed by Tiana Bush on bass, and Genesis Castillo pounding out the infect[...]
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