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7 years ago
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Written and directed by Boo Junfeng (2010’s Sandcastle), Apprentice is a quiet yet gritty drama about a newly hired young prison guard who is “promoted” to working on death row. (It was Singapore’s official entry for the 2017 Best Foreign Language Film Oscar.) Unlike other movies of its genre, Apprentice doesn’t go for big, sweeping statements or emotions, but instead shows one man struggling with a soul-wrenching job as he comes to terms with his own family’s past.
We first meet Aiman (newcomer Fir Rahman) as he’s being interviewed for a position as a guard in a maximum security prison. His stated reason for being there is idealistic: he wants to help people change. Initially, pending a background check, he has limited security clearance, i.e. no access to the “condemned cells.” Scenes of him joking around with prisoners in the yard and helping them with shop equipment indicate that he truly does want to help. He glimpses an older, white-haired man in the cafeteria and there is a wary recognition. This is Chief Rahim (played by the excellent Wan Hanafi Su).
Later, when helping another guard move equipment in the condemned block, Aiman brings himself to the attention of Rahim by volunteering information about where to get a certain type of rope. As the camera casually hovers over an open trap door, we realize that this is where hangings take place. The no-nonsense tone and mundane conversation illustrate the businesslike nature of death here.
Scenes at the pr[...]
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7 years ago
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We recently caught up with musician, singer, song writer and visual artist Yoni Wolf to discuss the new album from his band Why?. Moh Llean will be released on March 3rd, and is the band's first release since 2013's Golden Tickets.
What was the band’s motivation/inspiration for the latest album, “Moh Llean” and how is it different than the band’s previous releases?
I can't say there is ever a specific motivation or inspiration. We are artists and we are drawn to making art in whatever state-- from whatever space we find ourselves. This one was no different, though of course it ends up with its own feel and identity based on our changes and developments as humans.
Is there a particular story you wanted to tell or message you wanted to send with “Moh Llean.”
I would say that whatever the album conveys thematically, it does so naturally without pre-conceptions or agenda. That said, I think it is an attempt at openness in the heart and acceptance and peace.
How did the hip hop element of the band’s sound come to be? Are you guys hip hop fans? Classic or modern day hip hop? Or, was it organic?
I started out as a rapper. Hip hop is at my roots and core. I don't think this album is very hip hop though.
Tell me about the band’s creative process. Do you work remotely or do you go off to the woods to write together as a group?
I wrote most of the stuff myself. My brother Josiah and I produced and arranged the stuff together. We have a couple musicians-- [...]
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7 years ago
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Founded in 1962, Film Comment has long been the critical voice of art-house and independent cinema, while also offering thoughtful coverage of more mainstream movies. The Film Society of Lincoln Center, which has published the magazine since the 1970s, annually presents the Film Comment Selects festival, which runs this year from Friday, Feb. 17, through Thursday, Feb. 23. Now in its 17th year, the festival screens movies that are not generally shown elsewhere, mixing the new and noteworthy with older, sometimes forgotten films that deserve another look.
The scope of the festival is demonstrated by its opening night films: a premiere of Stéphane Brizé’s A Woman’s Life, an intricate adaptation of the Guy de Maupassant novel; and an Ultra-widescreen IMAX presentation of Terrence Malick’s trippy Voyage of Time, a visual and aural treat. The festival also features a four-film tribute to recently deceased cinematographer Raoul Coutard and revivals including 1972's The Effect of Gamma Rays on Man-in-the-Moon Marigolds and rarely seen 1962 short On the Harmfulness of Tobacco, both directed by Paul Newman.
Here’s a look at a couple of other films to be screened:
Bitter Money, Wang Bing’s rambling, fly-on-the-wall documentary about Chinese migrant workers, is sometimes a tough slog. His loose, observational style doesn’t always serve the stories of his subjects—various individuals who have traveled to Huzhou to work in the city’s garment factories—nor does it consistently[...]
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7 years ago
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Returning to New York Fashion Week this season is none other than Kayne West, debuting his fifth season of Yeezy for Adidas.
The collection featured oversized sweatshirts, slouchy outerwear, and utilitarian trousers -- all restricted to neutral tones.
See some of the looks for yourself.
https://twitter.com/theyeezymafia/status/831979870066466826
West's presentation of looks also included the kickoff of the much-Instagrammed Calabasas line, Refinery 29 reports.
Photo Credit: AKM-GSI
The 15-minute showcase took place at Pier 59 Studios -- an old-line NYFW locale -- and attracted celebrities including his wife Kim Kardashian, sister-in-law Kylie Jenner, LaLa Anthony, Teyana Taylor, Hailey Baldwin and more.
https://twitter.com/lala/status/831987657177702401
Cameos from models included Luka Sabbat and Amina Blue, and the show marked the launch of Halima Aden -- the Somali-American stunner who is IMG Models' first hijab-wearing model.
https://twitter.com/Edward_Enninful/status/831968901168820226?ref_src=twsrc%5Etfw
The rapper/designer with Teyana Taylor
Photo Credit: Walik
Check out more looks from the showcase below.
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7 years ago
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Modern Rendition of Cymbeline to Premier this April at NYC’s Historic Theatre 80 St. Marks
Director/Producer Alexis Confer and Art for Progress Founder Frank Jackson are proud to announce their upcoming production of Cymbeline at Theatre 80 St. Marks this spring. This production will use the classic language of Shakespeare, but approach the Bard’s “fairytale” with a modern lens. The audience will be transported to a world floating between the blurred morality and frenetic energy of a Vegas-like kingdom and the stark, colorful beauty of the American Southwest.
In order to bring a fresh, nuanced and uniquely comedic performance to the stage, the company is intentionally made up a variety of performance backgrounds from musicians to stand up comedians, from classically trained Shakespearean actors, to improvisers. Led by Confer’s direction, the tight-knit cast has done several Shakespearean shows together in 2015-2016 - Twelfth Night and A Midsummer Night’s Dream produced by OFFLINE Productions and Much Ado About Nothing produced by Art for Progress.
Most importantly, the goal of the show is to create a great live performance experience while raising awareness and funds for arts education. All profits from the show will go to Art for Progress’s programs for children and young adults - helping to empower NYC’s young artists.
Art for Progress’ Arts Education Community provides under-served youth with dynamic artistic programming that promotes reflection and self-expres[...]
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7 years ago
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File this fashion endeavor under : WTF.
This week, as part of New York Fashion Week, Japanese label N. Hoolywood presented to the world a Fall 2017 collection inspired by homeless people.
Yes. Homeless people.
Whether or not N. Hoolywood was channeling Derelicte à la Zoolander, it's safe to say this fashion label's fetishized "ode to street people" was done in poor taste.
Photo: Imaxtree
Ill-assorted chairs and benches wrapped around a circular runway. The models bundled up in overcoats and jackets and holding what looks like trash bags, lumbered down the pathway in somber time. To round out their looks, some models had their legs wrapped in plastic bag like material.
As Daisuke Obana delineates in show notes: "As our designer traveled the cities of America, he witnessed the various ways in which people there lived on the streets and the knowledge they have acquired while doing so. His observations of these so-called homeless or street people revealed that them [sic] to be full of clever ideas for covering the necessities of life. Space blankets or moving blankets can be fashioned into coats for cold days, and plastic bags can double as waterproof boots when it rains. This season features designs that embrace their unique style of combining traditionally contrasting elements, such as unconventional layering or senses of color, along with experimental sizing."
Photo: Erik Maza on Instagram
In reality, there are over 600,000 homeless people in the United Sta[...]
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7 years ago
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Tomer Heymann’s documentary about choreographer Ohad Naharin, Mr. Gaga: A True Story of Love and Dance, begins with a rehearsal scene in which a dancer falls backward repeatedly, as Naharin encourages her to “let go.” This painstaking (and literally painful) process is familiar to most dancers and anyone who’s witnessed the art of making tough choreography look easy. In the case of the iconoclastic Naharin, artistic director of Israel’s Batsheva Dance Company and founder of the Gaga (no relation to Lady) movement technique, the choreography is both incredibly demanding and extremely rewarding, as his dancers and audiences can attest. Mr. Gaga, which delves into Naharin’s creativity as well as his personal life, includes interviews, archival footage and many performance clips. The result is a visually thrilling and soul-satisfying portrait of a remarkable talent and individual.
Born and raised on a kibbutz, Naharin was an instinctive dancer as a child, influenced by his music-loving mother Tzofia. Home movies show bucolic kibbutz life as an idyllic setting for a creative child. Later, Naharin served as an entertainer in the Israeli Army, during which time he first began to create dances. The choreographer, who narrates much of his own story, explains how the “absurd theater” of performing for soldiers influenced dances such Sadeh21. We also learn via an early interview that he began dancing because of a family tragedy, a dramatic story that will be revisited later in th[...]
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7 years ago
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With an unprecedented climate of change and concern dawning in the United States, Art for Progress arts education programs are more essential than ever. AFP is embracing the ever-growing need for alternative and supplemental art, music, theater, and fashion programs for young people representing the voice of true expression in our city. Once again this has been an exciting semester for existing Art for Progress arts education programs in New York City’s public schools, and there are some new programs in the works for the second half of the school year.
Our flagship music program at Humanities Preparatory Academy, which includes school day sessions as well as after school, is flourishing and has produced and cultivated a bunch of wonderful talent this semester. Everyone at the school is looking forward to the talent show on February 16th, which will include solo vocal and instrumental performances, and a variety of ensemble pieces and even a dance number. AFP’s after school program at the James Baldwin School is also going strong and was well represented in the recent school-wide talent show on Friday, January 20. Students from both schools have been working hard after school every day, choosing songs and rehearsing. Especially impressive is the spirit of mutual encouragement among the students as the shows approach.
As for AFP’s Young Adult Music Enrichment Program, tracking is nearly completed on Bronx rock band Statik Vision’s full-length album, and we are preparing [...]
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7 years ago
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A solid directorial and screenwriting debut by Australian actor and theater director Simon Stone, The Daughter borders on melodrama, but still manages to pack a considerable wallop. Stone originally converted Henrik Ibsen’s 1884 play The Wild Duck into a production set in present-day Australia for Sidney's Belvoir St Theatre in 2011. Like that version, some of the original story's details have been stripped away for The Daughter, yet the film retains a Nordic moodiness. As with live plays, the actors often sell the thing and The Daughter is no exception; Geoffrey Rush, Sam Neill, Miranda Otto and Ewen Leslie, especially, deliver intense performances that make the film’s escalating drama compelling throughout.
These events are set in motion by Christian (Paul Schneider), who returns to his Australian hometown after 15 years in the U.S. to attend the wedding of his father Henry (Rush)—a wealthy lumber mill owner—to his much younger housekeeper, Anna. There is obvious friction, as the son seems disgusted both by Anna’s age and the fact that his father is still using the car that belonged to his late wife, Christian’s mother.
Complicating things, Henry has just shut down the mill, leading to an exodus of unemployed workers and their families from the town. Christian’s childhood friend Oliver (Leslie) is one worker who hasn't left; he and his wife Charlotte (Otto) dote on their daughter Hedvig (Odessa Young in a tough role), a bright high schooler who is also very cl[...]
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7 years ago
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Have you seen the movie 'Hidden Figures' yet? It's the first film, with an all female (and predominately black) cast, to remain the Number 1 movie in America for two weeks in a row since 2011's 'The Help,' according to Huffington Post!
And after Martin Luther King Jr. weekend, the movie is poised to surpass the $100 million dollar mark.
Yas, kween!
What's also extraordinary about the 60s-era gender and race-barrier-breaking movie is the costuming by Renee Ehrlich Kalfus who recently a nomination for Excellence in Period Film by the Costume Designers Guild of America (CFDA).
"In many ways it's not a flashy picture, so the costumes have a fresh reality in a period way that's not... flashy," Ehrlich Kalfus tells Fashionista. To create the stunning looks seen in the movie, Ehrlich Kalfus referenced vintage issues of Ebony magazine, while adhering to NASA's ironclad rules for office attire.
However, Ehrlich Kalfus managed to find inventiveness and individuality when it came to the film's vibrant looks.
Regarding Katherine Johnson (Taraji P. Henson)'s costuming, she adds: "There was some liberty in terms of colors, styles and shapes, because she did make her own clothes and I took advantage of that."
Photo Credit: Hopper Stone/20th Century Fox Film Corp. h/t Fashionista
Vivid and rich colors abound in 'Hidden Figures,' including 60s-era jewel-toned 2-piece suits and soft prints -- a sharp contrast to the male costuming of white button-down [...]
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7 years ago
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How much do we really know someone? That’s the main question posed by Claire in Motion, a quiet, uneasy new film co-written and directed by Lisa Robinson and Annie J. Howell. A sort of hybrid mystery/character study, the movie stars Betsy Brandt (best known for her role as Marie Schrader in Breaking Bad) as a math professor at a Midwestern university whose husband—a fellow academician—fails to return from a hiking trek. There’s no hysteria or big, crashing emotions in this missing-persons drama; conversely, it's a slowly-unfolding account of a woman traditionally ruled by logic and order, as she comes to terms with the unexpected and (initially) incomprehensible.
When Claire Hunger’s husband Paul, an ornithology professor and nature-loving survivalist type, fails to return from his solo hiking trek on schedule, she doesn’t immediately panic. That emotion sets in slowly as the days turn into weeks, the police call off their fruitless search, and the couple’s young son Connor (an exceptionally poised Zev Haworth) begins to accept the inevitable—that his father probably died somewhere out in the wilderness. Even then, however, Claire refuses to believe Paul is gone and keeps going back into the woods to hunt for him. (Overcast skies and a slightly greenish palette give everything a heavy, muted tone that accentuates the sense of disquiet.) When the town's police chief mentions having interviewed a grad student with whom Paul was working on an art project, the usually unde[...]
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7 years ago
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Sayonara 2016! As we wait to learn and experience more of what this new 2017th year of existence has in store for all of us, one positive thing is for certain: New year = new start!
And for starters, there are a few epic moments that we already know will happen in 2017. Check out three of the most amazing below. Happy new year!
Alexander McQueen Biopic
Announced in late October 2016, a biopic, based on the Alexander McQueen biography "Blood Beneath the Skin" by Andrew Wilson will start filming Spring 2017, and will hit movie theaters later the same year.
Starring former "Skins" heartthrob Jack O'Connell, all of buzzy buzz surrounding this movie seem to unanimously agree that the actor closely resembles the troubled designer, who committed suicide in 2010 at the age of 40.
We can't wait to see McQueen's incredible life story be brought to life.
Below Alexander McQueen, left and actor Jack O'Connell
Photo Credit: Getty
Gingham, Ruffles and Wide Legs, Oh My!
Key clothing trends to expect in 2017 are ruffles, gingham, and wide legged pants — items that you might still have in your closet from seasons past, might be ready to take centerstage again.
Below: London Fashion Week Looks from L-R: Toga, Peter Pilotto, House of Holland, Simone Rocha and Molly Goddard.
Photo Credit: Imaxtree/Fashionista
More Over, "It" Bag, Make Way For Mini Purses
When Nicolas Ghesquiere debuted an iPhone case shaped like a bag October 2016, little did we know that there was a bi[...]
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