Monthly archives:November 2017

  • The Alien franchise comic books are about to get a makeover.Although the title has remained popular throughout the decades via various mediums, the comics barely hold the excitement and passion that were ignited by the first film. To reinvigorate the franchise, the company hired acclaimed cartoonist James Stokoe as writer and artist for a new miniseries.The first comic book under his leadership is entitled Alien: Dead Orbit #1. Vice shared their interview with the veteran illustrator, where he expressed his love for the franchise and how he’s changing his style to fit the series. “I saw the second film at the perfect age—around 12 or so—and I instantly loved everything about it. Then I saw the first film and the sequels, and I turned into an Alien sucker for life,” he gushed.  (The following images are previews from Dark Horse Comics)Stokoe approached the franchise with more suspense than he’s used to in his previous works. He did this to stay true to the films but admitted that it was challenging nonetheless. “I've never really done a horror-type comic before, so the pacing is a completely different animal than what I've been used to,” the artist stated. He went on to note that he had to redraw some pages to get them right. He views this experience as a major learning curve in his career.James Stokoe is known for colorful, bombastic and action-packed illustrations. Other comics he has worked on include Wonton Soup, Orc Stain, Strange Tales, and even Marve[...]
  • MLiR stands for Modern Life is Rubbish, an utterly accurate and ironic name. Founded by the two absolutely crazy Swedes from outer Space, Marco Gegenheimer and Einar Christofferson. In 2016 the two lads broke through with the musical and mega hyped debut EP ”Swedish Lo-Life” on Studio Barnhus, the re-known and eclectic record label run by Axel Boman, Kornél Kovács and Petter Nordkvist.An EP of 5 songs, featuring the big hit people with almost 300 000 plays on Spotify so far. Up next in 2017 for Marco and Einar is their 2nd installment for Studio Barnhus, an EP under the name ”Trans-World Junktion”. They also have EP:s coming early 2018 for UK label Banoffee Pies, Berlin based Lossless, a 3rd EP for Studio Barnhus and non 4/4 stuff for Magic Teapot Records. Apart from all this, the boys are also preparing a live show for next year where everyone will be able to see them shaking their asses and showing the world they’re here to stay to make you go bananas. Modern Life is Rubbish, and you know it!Marco, nice to meet you and welcome to Art for Progress. MLiR it is the new project you have created, but your career started a long time ago. Please, could you tell us when did you start to produce music? My interest to produce music started after having a 5.5 years break from DJ'ing in 2009. I then started working on an album for Ratio?music / Rush Hour (which got lost) and released several EP's on Ratio?music / Rush Hour, Moodmusic and Perplex Recordings. I had a band ca[...]
  • Streetwear designer Gosha Rubchinskiy may have burst on the scene in 2008, his eponymous line is finally heating up, as it's reported that athleisure is cooling down.The former filmmaker, based in Moscow, melds a early-’90s Post-Soviet  style of oversized sweatshirts with modern high-fashion suiting, demin and accessories. And the designer has also collaborated with brands, including Levi's, on the iconic trucker jacket.    Image Credit: Collier Schorr Despite being lumped in a "Post-Soviet youth culture" fashion category along with Demna Gvasalia and Lotta Volkova, Rubchinskiy rejects the comparison. "I feel, myself, like an international artist," he tells W Magazine. "Not like Russian, local thing," adding, "I don’t like when people say—‘Oh, Gosha does the post-Soviet Russian thing.’ I think, no.” He goes on to say "I try to speak about the current moment. That’s why I’m hanging always with young kids, because I want to see what’s happening in their heads. And I mix my emotions, my great memories, with what is cool and great for now.” Can't wait to see what this hypermodern designer has in store in 2018.
  • It’s a great time of year for New York's documentary lovers, as the nation’s largest nonfiction film festival comes to town. The eighth edition of DOC NYC runs November 9 –16 with screenings and panels taking place at the IFC Center, SVA Theater and Cinepolis Chelsea. Among the fest’s 250 films and events are 11 feature-length works, from already released films such as Agnès Varda’s acclaimed Faces, Places to films making their world premieres, including Sam Pollard’s Maynard, a portrait of Atlanta’s first black mayor, and Julia Bacha’s Naila and The Uprising, about a Palestinian woman in Gaza who must make an impossible choice between love, family and freedom.Among the festival’s 18 categories are two competition sections: Viewfinders, for distinct directorial visions, and Metropolis, dedicated to stories set in NYC. More than 350 filmmakers and special guests (often film subjects) will be in attendance for Q&As after most screenings and for DOC NYC PRO panels, including Steve Madden (for Maddman), Dan Rather (for Fail State) and Susan Sarandon (for Soufra).Opening the festival is Greg Barker’s The Final Year, which follows key members of outgoing President Barack Obama’s administration; closing it is Lili Fini Zanuck’s Eric Clapton: Life in 12 Bars, about the life and career of the legendary guitarist. In between are docs of all sizes and shapes including centerpiece film Far from the Tree, Rachel Dretzin’s world premiere adaptation of Andrew Solomon’s book,[...]
  • Today, in the field of Contemporary Music, artists empower themselves using technology. Combining IT and engineering with the arts, they are able to create interesting artworks, performances and new instruments using tools for algorithmic composition and advance programming, electronics and audio visual techniques.This awesome granular marble’s symphony, combines sensors to capture data and experimental software to create beautiful sounds with marbles. The contact microphones are connected to the glasses to capture the sound of the marbles knocking the glass with perfect accuracy.The name of this project is Untitled Samek and as the author Federico Dal Pozzo describes it as a study about the emptiness of time that sounds for the eyes.It's experimental electro-acoustic music using granular synthesis made with the sound of a marble spinning on a bohemian glass, combined with audiovisual painting. It's such a symphony and definitely delights the audience!Nerea T. Ruiz