Monthly archives:March 2016

  • I’ll never forget when Wesley Nessler walking into my 9th grade class at Ft. Lauderdale High wearing checkerboard slip on shoes. I remember thinking to myself, what in the world is this kid wearing? Well, I didn’t hesitate to ask, and quickly found out that these trend setting kicks were Vans. It’s now decades later, and it would be hard to find someone who doesn’t know those shoes and that design, and as I walked through the door at the Vans’ 50th Anniversary celebration Wednesday evening, I was not surprised to find that checkerboard design in full effect. From the super cool 3D art installations, iconic surf films and classic photography exhibit, it became quite clear that Vans has been a huge influence in American lifestyle, culture, art and sport for a very long time. Furthermore, Vans has become a cultural pillar that stands alone in its broad range of influence. It would only be fitting for the company to tie this historic evening together with diverse music performances that also span across many generations. The modern day rockers Yeasayer kicked things off with a an impressive set of hits and newer jams, while New York hip hop legend Nas brought the roof down with classics and some newer cuts. The energy level in the room was off the charts at this point as the night was beginning to wind down. It was great to see so many smiling faces in the huge crowd of both young and older guests. They experienced a special evening that will be remembered for a [...]
  • 2016 is shaping up to be an interesting year for music. Kanye continues to tweet utter nonsense, the new Adele is still climbing the charts, Kendrick Lamar pulled a Beyonce and released a new album out of nowhere. A quarter of the way through and the year is already a mixed bag. Here are some highlights from the past month to ponder as we enter the warm months and festival season. The Good: The Foo Fighters, helmed by the nicest-guy-in-rock-and-roll Dave Grohl, are easily one of the best liked bands in the business. From playing surprise shows to playing through bodily injuries, the band wins hearts with pretty much everything they do. Even their foray into television, the HBO documentary series called Sonic Highways that focused on the evolution of American music, was well received and granted a second season. It seemed like the grandeur that is the Foo Fighters would go on everlong. That is until the band’s drummer Taylor Hawkins, during an interview at the Guitar Center Drum-Off, said when asked about the future of the band, “We’re on ihateus right now, we’re on an indefinite ihateus.” The mention of an ihateus (hiatus) sent fans scrambling. What did he mean ‘hiatus’? Sure, Grohl had appeared sans-band and played what could sort of be considered solo shows, namely a rendition of “Blackbird” at 2016 Oscars, but was that really enough to topple such a successful and beloved band? Was Hawkins serious? Did being the drummer for a guy known as “the drummer from N[...]
  • The eponymous heroine of Xavier Giannoli’s film Marguerite is a tough sell on paper: a wealthy French socialite who fancies herself a great operatic singer, but who is in fact utterly tone-deaf. Yet, as played (with great sensitivity) by Catherine Frot in this French tragicomedy set in the early 1920s, Marguerite Dumont — at least when she’s not singing — is a warm, sympathetic presence with a true appreciation for music. We’re appalled by the sounds that come out of her mouth, but we can’t help but feel for this woman whose vulnerability and unhappiness is palpable. The character is based on American socialite Florence Foster Jenkins, who has already inspired several plays as well as a forthcoming Hollywood film starring Meryl Streep. Where Jenkins was merely bad, Mme. Dumont is truly awful; her wild screeching performances are some of the most stunning (literally) moments in the film. This could have been fodder for an out-and-out farce, but though Giannoli’s unconventional movie has many humorous moments, it is also dark, poignant, and visually sumptuous. The film begins with various people arriving at a benefit recital given in Marguerite’s opulent home. There’s young soprano Hazel (Christa Théret), arch young music critic Lucien (Sylvain Dieuaide) and his friend Kyril, an avant-garde artist (Aubrey Fenoy); we’re also introduced to Marguerite’s husband Georges (André Marcon), who pretends that his car broke down so he can avoid the concert. Several opening acts [...]