- 4 weeks ago
We recently caught up with musician, singer, song writer and visual artist Yoni Wolf to discuss the new album from his band Why?. Moh Llean will be released on March 3rd, and is the band’s first release since 2013’s Golden Tickets.
What was the band’s motivation/inspiration for the latest album, “Moh Llean” and how is it different than the band’s previous releases?
I can’t say there is ever a specific motivation or inspiration. We are artists and we are drawn to making art in whatever state– from whatever space we find ourselves. This one was no different, though of course it ends up with its own feel and identity based on our changes and developments as humans.
Is there a particular story you wanted to tell or message you wanted to send with “Moh Llean.”
I would say that whatever the album conveys thematically, it does so naturally without pre-conceptions or agenda. That said, I think it is an attempt at openness in the heart and acceptance and peace.
How did the hip hop element of the band’s sound come to be? Are you guys hip hop fans? Classic or modern day hip hop? Or, was it organic?
I started out as a rapper. Hip hop is at my roots and core. I don’t think this album is very hip hop though.
Tell me about the band’s creative process. Do you work remotely or do you go off to the woods to write together as a group?
I wrote most of the stuff myself. My brother Josiah and I produced and arranged the stuff together. We have a couple musicians– Doug McDiarmid and Matt Meldon, who played on every song, and then about 10 or 12 others who played on a song or two or three.
What band’s or musicians have been major influences?
Life, The Universe, God or the thought experiment to envision whatever that is.
What role does the audience – live or otherwise – play in Why?’s universe?
They enable us to do this. Without an audience there would be no one to communicate these ideas to and therefore no reason to continue.
What do you enjoy most about playing live?
I like the catharsis of singing. It’s like the greatest thing in the world. Doesn’t matter if you sound like Bon Iver or a see-saw. I think everyone should sing.
Is a European tour in the works for this album?
For sure. May/June.
Visual art seems to be an important part of the band’s work. Are any of the band’s member’s visual artists? Did any of you attend art school?
Yes I am and did. I make all the album art (with help from my lay out designer friends).
What message would you like to send to AFP’s artist community in these rather important and challenging times for artists?
Hang in there and always try to convey your most vulnerable truth through your art. Or just have fun or whatever.
- 1 month ago
Founded in 1962, Film Comment has long been the critical voice of art-house and independent cinema, while also offering thoughtful coverage of more mainstream movies. The Film Society of Lincoln Center, which has published the magazine since the 1970s, annually presents the Film Comment Selects festival, which runs this year from Friday, Feb. 17, through Thursday, Feb. 23. Now in its 17th year, the festival screens movies that are not generally shown elsewhere, mixing the new and noteworthy with older, sometimes forgotten films that deserve another look.
The scope of the festival is demonstrated by its opening night films: a premiere of Stéphane Brizé’s A Woman’s Life, an intricate adaptation of the Guy de Maupassant novel; and an Ultra-widescreen IMAX presentation of Terrence Malick’s trippy Voyage of Time, a visual and aural treat. The festival also features a four-film tribute to recently deceased cinematographer Raoul Coutard and revivals including 1972’s The Effect of Gamma Rays on Man-in-the-Moon Marigolds and rarely seen 1962 short On the Harmfulness of Tobacco, both directed by Paul Newman.
Here’s a look at a couple of other films to be screened:
Bitter Money, Wang Bing’s rambling, fly-on-the-wall documentary about Chinese migrant workers, is sometimes a tough slog. His loose, observational style doesn’t always serve the stories of his subjects—various individuals who have traveled to Huzhou to work in the city’s garment factories—nor does it consistently engage the viewer. Nevertheless, with its scenes of both numbing tedium and startling violence, Bitter Money paints a grim picture of Chinese capitalism that eventually gets under the skin. (Those who are familiar with Wang’s nine-hour West of the Tracks, might be relieved by the new film’s two-and-a-half hour runtime.)
The film starts out with 15-year-old Xiou Min and her cousin planning then taking the long, grueling train trip to Huzhou, but soon leaves them to follow Xiou’s laundry co-worker Ling Ling, who is embroiled in an abusive relationship with her awful husband, Erzi. In the film’s roughest scene, we watch him brutalize her while most of his friends stand around; one wonders if this wildly dysfunctional couple are playing it up at all for the camera. Other subjects include an older alcoholic worker and a guy resigned to the fact that he’s too slow to last at most factories. Much of the “action” takes place at the workers’ bleak dormitory-style housing and in the cramped workrooms where they toil and bide their time, hoping for a job in one of the city’s bigger factories. Overall, it’s a depressing look at the places we fear our inexpensive clothes might come from. Screens Thursday, Feb. 23 at 6:30 pm.
Bogdan Mirică’s impressively assured debut feature Dogs is a bleak, often perversely comic, crime drama set in rural Romania. The setting’s barren, scrubby landscape is reminiscent of an American Western, as is the dark twang of its soundtrack; sure enough, the story involves bad guys who have settled on a lawless piece of land.
When city slicker Roman (Dragoș Bucur) comes from Bucharest to survey (and sell) land he inherited from his grandfather, the property’s ornery caretaker and equally ornery dog are initially his main irritants. “Your grandfather led a busy life,” hints weathered police chief Hogas (Gheorghe Visu), as he and Roman discuss recent local occurrences, including the disappearance of an acquaintance who was brokering the property’s sale and the appearance of a severed foot in a pond.
As Roman slowly uncovers the area’s ongoing criminal activity and finally meets deceptively friendly ringleader Samir (Vlad Ivanov), he’s repeatedly advised to go home, as he’s clearly out of his league out in these parts. A surprise visit from his beautiful girlfriend pretty much insures that things will get much worse. A few critics have cited similarities to No Country for Old Men and like that film, Dogs features an aging lawman, a merciless killer, and a growing body count, in addition to a Coen Brothers-like deadpan sensibility. Though Dogs may not be quite as resolved as that film, it’s an impressively moody piece of work, and Mirică is clearly a director to watch. Screens Thursday, Feb. 23 at 9:30 pm
Click here for the complete festival line-up and ticket information.
- 1 month ago
Returning to New York Fashion Week this season is none other than Kayne West, debuting his fifth season of Yeezy for Adidas.
The collection featured oversized sweatshirts, slouchy outerwear, and utilitarian trousers — all restricted to neutral tones.
See some of the looks for yourself.
— Yeezy Mafia (@theyeezymafia) February 15, 2017
West’s presentation of looks also included the kickoff of the much-Instagrammed Calabasas line, Refinery 29 reports.
Photo Credit: AKM-GSI
The 15-minute showcase took place at Pier 59 Studios — an old-line NYFW locale — and attracted celebrities including his wife Kim Kardashian, sister-in-law Kylie Jenner, LaLa Anthony, Teyana Taylor, Hailey Baldwin and more.
— LA LA (@lala) February 15, 2017
Cameos from models included Luka Sabbat and Amina Blue, and the show marked the launch of Halima Aden — the Somali-American stunner who is IMG Models’ first hijab-wearing model.
— Edward Enninful OBE (@Edward_Enninful) February 15, 2017
The rapper/designer with Teyana Taylor
Photo Credit: Walik
Check out more looks from the showcase below.
- 1 month ago
Modern Rendition of Cymbeline to Premier this April at NYC’s Historic Theatre 80 St. Marks
Director/Producer Alexis Confer and Art for Progress Founder Frank Jackson are proud to announce their upcoming production of Cymbeline at Theatre 80 St. Marks this spring. This production will use the classic language of Shakespeare, but approach the Bard’s “fairytale” with a modern lens. The audience will be transported to a world floating between the blurred morality and frenetic energy of a Vegas-like kingdom and the stark, colorful beauty of the American Southwest.
In order to bring a fresh, nuanced and uniquely comedic performance to the stage, the company is intentionally made up a variety of performance backgrounds from musicians to stand up comedians, from classically trained Shakespearean actors, to improvisers. Led by Confer’s direction, the tight-knit cast has done several Shakespearean shows together in 2015-2016 – Twelfth Night and A Midsummer Night’s Dream produced by OFFLINE Productions and Much Ado About Nothing produced by Art for Progress.
Most importantly, the goal of the show is to create a great live performance experience while raising awareness and funds for arts education. All profits from the show will go to Art for Progress’s programs for children and young adults – helping to empower NYC’s young artists.
Art for Progress’ Arts Education Community provides under-served youth with dynamic artistic programming that promotes reflection and self-expression. By connecting youth with working artists, their communities and each other, we hope to transform the way they see themselves and the world around them.
Dates: April 27th – May 14th
Location: Theatre 80 St. Marks, New York, NY
Prices: $20 – $45
Show Dates: Thursday, April 27th – 8 pm, Friday, April 28th – 8 pm, Thursday, May 4th – 8 pm,Friday, May 5th – 8 pm, Saturday, May 6th – 7 pm, Sunday, May 7th – 7 pm, Thursday, May 11th –8pm, Friday, May 12th – 8 pm, Saturday, May 13th – 7 pm, Sunday, May 14th – 7 pm
- 2 months ago
File this fashion endeavor under : WTF.
Yes. Homeless people.
Whether or not N. Hoolywood was channeling Derelicte à la Zoolander, it’s safe to say this fashion label’s fetishized “ode to street people” was done in poor taste.
Ill-assorted chairs and benches wrapped around a circular runway. The models bundled up in overcoats and jackets and holding what looks like trash bags, lumbered down the pathway in somber time. To round out their looks, some models had their legs wrapped in plastic bag like material.
As Daisuke Obana delineates in show notes: “As our designer traveled the cities of America, he witnessed the various ways in which people there lived on the streets and the knowledge they have acquired while doing so. His observations of these so-called homeless or street people revealed that them [sic] to be full of clever ideas for covering the necessities of life. Space blankets or moving blankets can be fashioned into coats for cold days, and plastic bags can double as waterproof boots when it rains. This season features designs that embrace their unique style of combining traditionally contrasting elements, such as unconventional layering or senses of color, along with experimental sizing.”
Photo: Erik Maza on Instagram
In reality, there are over 600,000 homeless people in the United States. In New York City alone, homelessness has reached the highest levels since the Great Depression. And about one-fifth of the homeless population suffers from mental illness.
In short, homelessness is NOT an experience that ever needs to glamorized. And as Fashionista points out: “Obana’s efforts, focused purely on aesthetics, erased the humanity and the dignity of homeless people.”