Daily archives:August 5, 2014

  • Welcome to We Learn Dances, an occasional series on the people, parties and (most of all) music that make clubland the wonderful place it is. The focus will be on the slightly more refined, artistically oriented end of the nightlife spectrum—yes, such a thing exists, believe it or not—rather than on the superficial pleasures afforded by either the bottle-service scene or the EDM world. At least, that’s the plan. We’re kicking the series off with a man who’s intimately familiar with the concept of sophisticated dance music, Dennis “Citizen” Kane. He’s been an integral part of NYC’s nightlife since the mid-’90s, when the Philly transplant hit NYC and established himself in the underground scene as one of its most knowledgeable DJs; since then, he’s since played scores of venues across the city and around the world. He’s established a pair of respected record labels: Disques Sinthomme, which has released a wide range of work featuring the likes of Max Essa, the Beat Broker, Liquid Liquid’s Sal Principato and Richard “Padded Cell” Sen, and an edit imprint, Ghost Town, which has seen contributions from Brennan Green and Bicep, among many other notables. He’s a talented producer himself, with material out on such respected labels as Tummy Touch, Ubiquity and Adult Contemporary (track down his mix of Yagya’s “Rigning Sjö” on that last label—it’s killer.) His website, dsgtnyc.com, hosts a rather amazing podcast that’s featured sets from such international stars as DJ Harvey, Prins[...]